Saturday Night

5.4
19221h 30m

Though betrothed to fellow socialite Richard, Iris weds her chauffeur Tom leaving Richard to marry the family laundress' daughter Shamrock. Class differences lead to divorces and remarriages.

Cast

Photo of Leatrice Joy

Leatrice Joy

Iris Van Suydam

Photo of Conrad Nagel

Conrad Nagel

Richard Prentiss

Photo of Edith Roberts

Edith Roberts

Shamrock O'Day

Photo of Jack Mower

Jack Mower

Tom McGuire

Photo of Julia Faye

Julia Faye

Elsie Prentiss

Photo of Edythe Chapman

Edythe Chapman

Mrs. Prentiss

Photo of Sylvia Ashton

Sylvia Ashton

Mrs. O'Day

Photo of John Davidson

John Davidson

The Count Demitry Scardoff

Photo of James Neill

James Neill

Tompkins - the Butler

Photo of Winter Hall

Winter Hall

The Professor

Photo of Lillian Leighton

Lillian Leighton

Mrs. Ferguson

Photo of William Boyd

William Boyd

Party Guest

Photo of Westcott Clarke

Westcott Clarke

Bill - the Plumber

Photo of Viora Daniel

Viora Daniel

Bill's Blonde Girlfriend

Photo of Lucien Littlefield

Lucien Littlefield

Uncle Van's Secretary

Photo of Ethel Wales

Ethel Wales

Party Guest

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Reviews

G

CinemaSerf

7/10

This is a quite an entertaining little comic romance with two bored, wealthy, people who have little else to day all day other than get up, bathe, dress, eat, dress, eat then go back to bed again. Though not officially affianced, "Iris" (Leatrice Joy) and "Richard" (Conrad Nagel) are certainly expected to get married by their peers. Shock horror when she marries her chauffeur and he the daughter of a laundress. Imagine the scandal! That's where the comedy comes in - the sheer effrontery of their behaviour causes conniptions amongst their families and friends and takes a cracking great swipe at predetermined elements of social class and happiness. Julia Faye is quite good as Nagel's rather malevolent sister "Elsie", as is Edith Roberts as his hard-working wife "Shamrock". It's short, with some quite lengthy - but still pithy - inter-titles that maybe over-narrate the story at times, but De Mille doesn't stop for breath from the start to the finish and presents us with an enjoyable, borderline farce, that I rather enjoyed.

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