Scarlet Days

5.8
19191h 17m

Rosie Nell, a woman of disreputable dance halls in early lawless California, is wrongly charged with the murder of one of her fellow entertainers. Because her daughter, who knows nothing of her mother's station in life, is to return the next day from her school in the east, Rosie is granted three days of grace to be spent in company with her daughter at a nearby cabin. The three days begin happily enough, thanks to the serenades of heroic bandit Alvarez and the poetry of romantic Randolph. But Bagley, the dance hall manager, has seen the daughter and has determined to make her his own.

Cast

Photo of Richard Barthelmess

Richard Barthelmess

Don Maria Alvarez

Photo of Eugenie Besserer

Eugenie Besserer

Mrs. Nell Winters aka Rosie Nell

Photo of Clarine Seymour

Clarine Seymour

Chiquita aka Little Flameheart

Photo of Ralph Graves

Ralph Graves

John Randolph aka Sir Whiteheart

Photo of George Fawcett

George Fawcett

The Sheriff

Photo of Walter Long

Walter Long

King Bagley aka Knight of the Black Stain

Photo of Kate Bruce

Kate Bruce

The Aunt

Photo of Adolph Lestina

Adolph Lestina

Randolph's Friend

Photo of Rhea Haines

Rhea Haines

Spasm Sal

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Reviews

G

CinemaSerf

5/10

Richard Barthelmess is the sort of "Zorro" character in this rather weak romantic drama from D.W. Griffith. The story is quite complex but basically involves him ("Don Maria") and his newly found pal "Sir Whitehead" (a very dashing young Ralph Graves) trying to thwart the ambitions of "King Bagley" (Walter Long) who has eyes for the gal "Rosy" (Eugenie Besserer) who has recently been robbed of her meagre poke by the greedy "Spasm Sal" (Rhea Haines). Now, it doesn't hang about this film - that's quite a lot of story to pack into 80 minutes, and though the photography of the Californian scenery is well shot, the performances are just a bit too flat to keep up with the, hectic, pell mell pace of the plot.. The hero is, frankly, anything but. Too many damsels in distress and though Besserer is on decent form, her's is the only performance that really stands out. The characters are all there, all right, but we haven't time to allow them to flourish and I found the inter-titles way too complex in their language for easy (and speedy) comprehension too. It does look good, but I think it falls quite a bit short.

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