Scrapper
A resourceful 12-year-old, who secretly lives alone in her flat in a working-class suburb of London, makes money stealing bikes with her best friend Ali and keeps the social workers off her back by pretending to live with an uncle. But when her estranged father turns up out of the blue, she's forced to confront reality.
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Official Trailer

Dance Scene

Mark Kermode reviews Scrapper (2023) | BFI Player

Why McDonald's breakfast dictated the atmosphere on the set of Charlotte Regan's Scrapper | BAFTA

Making Of

Charlotte Regan, Harris Dickinson and Lola Campbell on Scrapper | BFI Q&A

Charlotte Regan Interview

Get to know Charlotte Regan

Exclusive Clip

Official Clip
Cast

Lola Campbell
Georgie

Harris Dickinson
Jason

Alin Uzun
Ali

Laura Aikman
Kaye

Ambreen Razia
Zeph

Asheq Akhtar
Youseff

Olivia Brady
Vicky

Sam Buchanan
Henry

Matt Brewer
Suited Bloke

Aylin Tezel
Nina

Jessica Fostekew
Sian

Carys Bowkett
Emily
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Reviews
CinemaSerf
"Georgie" (Lola Campbell) ingeniously manages to hoodwink social services following the death of her mother, and so lives on her own and makes a living running an unique cycle recycling programme with her friend "Ali" (Ali Uzun) that keeps them in ready cash. One afternoon, a guy leaps the back fence and introduces himself as her absentee father "Jason" (Harris Dickinson). She wants nothing to do with him, but he's no quitter and over the next hour or so we see the pair gradually realise what they have been missing in the years they spent apart. There isn't really much jeopardy here but what there is, is chemistry, The young Campbell is hugely charismatic and her mischievous but decent characterisation of a latter day urchin is really quite engaging. It's also one of Dickinson's more characterful efforts too. He doesn't rely on his looks and his musculature - he is also delivering us an enjoyable performance to watch as their relationship evolves - and not always smoothly. The writing offers us a dialogue that comes across as genuine, funny and for a low-ish budget effort this really is well worth a watch. I saw it at the cinema, but I'm not sure you need that - television will do fine.
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