Silver Queen

NIMBLE with CARDS...or HEARTS!

5.7
19421h 20m

A beautiful heiress is an excellent poker player. Her comfortable life changes when her father and his fortune die during market crash of the 1800's.

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Cast

Photo of George Brent

George Brent

James Kincaid

Photo of Priscilla Lane

Priscilla Lane

Coralie Adams

Photo of Bruce Cabot

Bruce Cabot

Gerald Forsythe

Photo of Lynne Overman

Lynne Overman

Hector Bailey

Photo of Eugene Pallette

Eugene Pallette

Steve Adams

Photo of Janet Beecher

Janet Beecher

Mrs. Laura Forsythe

Photo of Spencer Charters

Spencer Charters

Doc Stonebraker

Photo of Eleanor Stewart

Eleanor Stewart

Millicent Bailey

Photo of Arthur Hunnicutt

Arthur Hunnicutt

Newspaper Publisher Brett

Photo of Roy Barcroft

Roy Barcroft

Dan Carson

Photo of Cy Kendall

Cy Kendall

Sheriff

Photo of George Eldredge

George Eldredge

Hotel Guest

Photo of Victor Adamson

Victor Adamson

Townsman (uncredited)

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Reviews

G

CinemaSerf

6/10

Though the casting does let this down a bit, there’s still a solid story and a proper San Francisco brawl at the end to keep it going. Priscilla Lane is the adept poker playing “Coralie”, the daughter of the wealthy “Steve” (Eugene Pallette) and engaged to “Forsythe” (Bruce Cabot). All is going great until the market crash wipes her dad out and leaves her stony broke. Determined to sort out his debts, she heads off to ply her trade as a gambler and regularly sends back cash to her fiancé to settle up with her father’s creditors. Unknowingly, she also has a would-be suitor in “Kincaid” (George Brent) who discovers that her money isn’t going where she intended, but instead to prop up a silver mine that he had given “Forsythe” to give to her as a wedding gift - her father had originally owed  it. With her now successful and her would-be spouse facing ruin of his own, things all come to an head when “Kincaid” faces him down with the truth. Yes, it is quite derivative, but I quite enjoyed this workmanlike effort that’s helped along by Pallette and by Guinn Williams’ jovial “Blackie”, but the leading roles are less than imposing. Brent and Cabot are a really quite bland and every time I saw Lane I keep wishing it were Barbara Stanwyck. Still, it doesn’t hang about, gives us a sense of just how fragile wealth was back then amongst the pioneers and luck-riders and it’s got a nippy score too. Maybe not the most memorable, but I found it killed eighty minutes fine.

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