Tail Spin

WOMEN AIR RACES...Ripping the skies asunder with blinding speed.

5.8
19391h 24m

Trixie is a female pilot looking to win a big race to advance her career. During one race, however, her plane becomes damaged, and she needs help to repair it. She meets a Navy pilot named "Tex" Price and tries to gain his aid. Tex soon meets another pilot, Gerry, a novice who seeks to win an important upcoming race. Tex, concerned for Gerry's safety, tries to convince her not to race. But Gerry, now a rival of Trixie's, is determined to fly.

Production

Logo for 20th Century Fox

Cast

Photo of Alice Faye

Alice Faye

Trixie Lee

Photo of Constance Bennett

Constance Bennett

Gerry Lester

Photo of Nancy Kelly

Nancy Kelly

Lois Allen

Photo of Joan Davis

Joan Davis

Babe Dugan

Photo of Jane Wyman

Jane Wyman

Alabama

Photo of Kane Richmond

Kane Richmond

Lieutenant Dick 'Tex' Price

Photo of Harry Davenport

Harry Davenport

T.P. Lester

Photo of Edward Norris

Edward Norris

Speed Allen

Photo of Mary Gordon

Mary Gordon

Mrs. Lee

Photo of Irving Bacon

Irving Bacon

Storekeeper (Uncredited)

Photo of Helen Brown

Helen Brown

Gerry's Nurse (Uncredited)

Photo of William B. Davidson

William B. Davidson

Sales Manager (Uncredited)

Photo of Fern Emmett

Fern Emmett

Matilda, Gerry's Maid (Uncredited)

Photo of Jonathan Hale

Jonathan Hale

Racing Official Starter (Uncredited)

Photo of Sam Hayes

Sam Hayes

Announcer (Uncredited)

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Reviews

G

CinemaSerf

5/10

Alice Faye tries really hard here as "Trixie" who begs, blags and borrows in order to take part in the "Powder Puff" air race across the USA - the prize is a whopping great $100,000! Her main competitor is the wealthy "Gerry" (pronounced "Gary" - Constance Bennett). What now ensues is a rather procedural rivalry drama peppered with a rather melancholy song from Faye and some really quite good aerial photography. The film itself is nothing at all to write home about. The writing is bland and most of the sound stage stuff set against back-projected scenarios just looks cheap. Joan Davis ("Babe") is enthusiastic enough, providing some light-hearted input but for the most part this is really quite a disappointing rendering of what could have been a much better, more exciting, film. The gorgeous silent film star Charles Farrell ("Street Angel" (1928) and "City Girl" (1930) are great films) chips in now and again, and that helps significantly, but not enough to get this off the ground. Watchable, but forgettable.

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