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James L. Brooks | Best Director for 'Terms of Endearment' | Behind the Oscars Speech
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Terms of Endearment (1983) Original Trailer [FHD]

James L. Brooks on TERMS OF ENDEARMENT

James L. Brooks Wins Best Director: 1984 Oscars

Terms of Endearment - Trailer

Terms of Endearment Wins Best Picture: 1984 Oscars

Terms of Endearment 1983 TV trailer

Shirley MacLaine Says Jack Nicholson Is "Channeling"

Shirley MacLaine Wins Best Actress: 1984 Oscars

Jack Nicholson Wins Supporting Actor: 1984 Oscars
Cast

Shirley MacLaine
Aurora Greenway

Debra Winger
Emma Greenway Horton

Jack Nicholson
Garrett Breedlove

Danny DeVito
Vernon Dahlart

Jeff Daniels
Flap Horton

John Lithgow
Sam Burns

Lisa Hart Carroll
Patsy Clark

Huckleberry Fox
Teddy Horton

F. William Parker
Doctor

David Wohl
Phil

Sharisse Baker-Bernard
Lee Anne

Nancy Mette
Woman at Party

Albert Brooks
Rudyard Greenway (voice)

Mary Kay Place
Doris (voice)
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Reviews
CinemaSerf
I hated the story, let's get that out of the way first. This film is about character acting at it's best, though, and Shirley MacLaine ("Aurora") and Jack Nicholson ("Garrett") bring us charisma and entertainment in spades which thankfully rescues the really pedestrian plot from abject mediocrity. Since her birth, "Aurora" has fussed over her daughter "Emma" (Debra Winger) and upon the death of her husband, settles down to a rather vicarious existence living life through her daughter, her husband "Flap" (Jeff Daniels) and their children. She is a strong willed woman, with love that can be gentle and kindly, or that can be rude and interfering with much of the frequently sardonic humour emanating from her disinclination to let them live their own lives. Next door we find "Garrett", a somewhat disreputable womaniser. A former astronaut who trades well on his erstwhile status, but who takes a bit of a shine to "Aurora" - and that's another source of lively comedy as the two clash with engaging regularity. The last hour descends rather quickly into melancholy, though, as the young "Emma" has to deal with her own problem husband, and an illness that starts to focus the attention from all concerned onto what really matters with their relationships. MacLaine is always good with these rough-round-the-edges roles and here there is plenty of chemistry on the sparing occasions in which she and Nicholson feature. Sadly, for me anyway, the rest of this hovers way too close to melodrama and though at its best it is really good, for the most part I was rather underwhelmed by the family antics that underpinned so much of the (over-long) story.
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