The Beloved Rogue

6.6
19271h 39m

François Villon, in his lifetime the most renowned poet in France, is also a prankster, an occasional criminal, and an ardent patriot.

Production

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Cast

Photo of John Barrymore

John Barrymore

François Villon

Photo of Conrad Veidt

Conrad Veidt

King Louis XI

Photo of Marceline Day

Marceline Day

Charlotte de Vauxcelles

Photo of Lawson Butt

Lawson Butt

Duke of Burgundy

Photo of Henry Victor

Henry Victor

Thibault d'Aussigny

Photo of Angelo Rossitto

Angelo Rossitto

Beppo - the Dwarf

Photo of Lucy Beaumont

Lucy Beaumont

Villon's Mother

Photo of Jane Winton

Jane Winton

The Abbess

Photo of Bertram Grassby

Bertram Grassby

Duke of Orleans

Photo of Dick Sutherland

Dick Sutherland

Tristan l'Hermite

Photo of Dickie Moore

Dickie Moore

Baby Francois (uncredited)

Photo of Mack Swain

Mack Swain

Nicholas

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Reviews

G

CinemaSerf

7/10

If you've seen "If I Were King" (either the 1920 or 1938 version), or read Sir Walter Scott's "Quentin Durward" (1823) then you will be familiar with the basis of this quite enjoyable, if a little slow, historical drama. François Villon (John Barrymore) is the populist poet who falls foul of King Louis XI (Conrad Veidt) when he offends the visiting Charles, Duke of Burgundy (Lawson Butt). Banished from Paris as a punishment, he must use his popularity - he has just been elected "King of the Fools" - and his contacts at the Court of Miracles, the ultimate den of iniquity, to keep his country from the encroaching Burgundians. Weidt steals this for me. He plays the shrewdly decrepit monarch remarkably well. Marceline Day is also quite fun as the pretty, and feisty, "Charlotte", the young girl to be traded to one of Charles' lieutenants "Thibault" (Henry Victor). Barrymore reminded me of a "Puck" style of character, mercurial and engaging with a sharp blade (and tongue) when required, and his efforts pay off well, most of the time. Apparently the bairn at the start is the young Dickie Moore whom you might recall from his 1933 title role in “Oliver Twist” - when he was but eight years old. It's a good watch, this film, and the inter-titles convey his wittily structured poetry effectively. I could just have done with a little more swashbuckling and a little less gymnastics.

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