The Blue Lagoon

No one to see them... No one to tell them... No one to stand in their way!

5.7
19491h 41m

In the Victorian period, two British children survive a shipwreck in the South Pacific. After days afloat, they are marooned on a lush tropical island in the company of kindly old sailor. Together they survive solely on their resourcefulness and the bounty of their remote paradise.

Cast

Photo of Jean Simmons

Jean Simmons

Emmeline Foster

Photo of Donald Houston

Donald Houston

Michael Reynolds

Photo of Noel Purcell

Noel Purcell

Paddy Button

Photo of James Hayter

James Hayter

Dr Murdock

Photo of Cyril Cusack

Cyril Cusack

James Carter

Photo of Patrick Barr

Patrick Barr

Mr Bruce

Photo of Peter Jones

Peter Jones

Michael-child

Photo of Susan Stranks

Susan Stranks

Emmeline--As A Child

Photo of Nora Nicholson

Nora Nicholson

Mrs. Stannard

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Reviews

G

CinemaSerf

6/10

Though still infinitely better than the syrupy 1980 remake, this is still a film that time has been pretty brutal to. The premiss is amongst the most natural we can imagine: a young girl and boy are shipwrecked on a tropical island and as they mature, so does their relationship. Partly out of necessity and partly out of choice, the two - "Emmeline" (Jean Simmons) and "Michael" (Donald Houston) effectively become a couple. Aside from Stewart Granger (and maybe Kirk Douglas), I never really saw a man who could match Simmons on screen. She seemed to be able turn her hand to anything, creating a characterisation effortlessly with those piercing eyes and that almost silent movie star demeanour. Here she portrays the epitome of curiosity and naivety, with a soupçon of vulnerability really quite well. Houston, on the other hand, has a charm-free wooden-ness about him that probably made even he realise that he only got the girl because, well, there was nobody else! Their story evolves along fairly predictable lines, with some fun interjections from the always reliable Noel Purcell ("Paddy"), James Hayter ("Murdoch") and Cyril Cusack ("Carter"), with some beautiful Fijian cinematography, and Frank Launder does manage to combine a certain sense of the idyllic and the dangerous well enough too. Sadly, though, a better leading man was needed to balance this narrative and the older it gets the less attractive it becomes to watch.

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