The Elusive Pimpernel

5.9
19501h 49m

A British aristocrat goes in disguise to France to rescue people from The Terror of the guillotine.

Trailers & Videos

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The Elusive Pimpernel (1949) Trailer

Cast

Photo of David Niven

David Niven

Percy "Scarlet Pimpernel" Blakeney

Photo of Margaret Leighton

Margaret Leighton

Marguerite Blakeney

Photo of Cyril Cusack

Cyril Cusack

Chauvelin

Photo of Jack Hawkins

Jack Hawkins

Prince of Wales

Photo of Arlette Marchal

Arlette Marchal

Contesses de Tournai

Photo of Gérard Néry

Gérard Néry

Philippe de Tournai

Photo of Charles Victor

Charles Victor

Colonel Winterbotham

Photo of Danielle Godet

Danielle Godet

Suzanne de Tournai

Photo of Eugene Deckers

Eugene Deckers

Captain Merieres

Photo of David Oxley

David Oxley

Captain Duroc

Photo of John Longden

John Longden

The Abbot

Photo of Arthur Wontner

Arthur Wontner

Lord Grenville

Photo of David Hutcheson

David Hutcheson

Lord Anthony Dewhurst

Photo of Robert Coote

Robert Coote

Sir Andrew ffoulkes

Photo of Patrick Macnee

Patrick Macnee

Hon. John Bristow

Photo of Terence Alexander

Terence Alexander

Duke of Dorset

Photo of Howard Vernon

Howard Vernon

Comte de Tournai

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Reviews

G

CinemaSerf

7/10

David Niven takes on the mantle of Baroness Orczy's hero in this classy but a little lightweight take on the escapades of the "Scarlet Pimpernel". Hugely successful at smuggling doomed artisto's from under the nose of the Reign of Terror, the French authorities charge "Chauvelin" (Cyril Cusack) to track down the culprit. He has some leverage with the new and glamorous "Lady Blakeney" (Margaret Leighton) and so offers her the life of her brother if she will agree to help him. She just happens to be married to the foppish "Sir Percy", but is he so useless as his persona suggests? Niven is on quite good form in this; there is enough intrigue to keep it moving along well and Leighton can always be relied upon to deliver competently (even if this is far from her best effort). It's not the best Powell & Pressberger film, but it is still a polished adventure with a soupçon of humour as we head to an exciting last fifteen minutes. Perhaps not as good as Leslie Howard's 1934 iteration, but Niven looks like he enjoyed making it and I enjoyed watching it, too.

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