The Happy Time

"Eet ees magnifique". And it's all about the birds and the bees...and a lot of delightful people.

6.3
19521h 34m

A violinist and his brother guide one's son through his crush on the family maid in 1920s Ottawa.

Production

Logo for Columbia Pictures

Cast

Photo of Charles Boyer

Charles Boyer

Jacques Bonnard

Photo of Louis Jourdan

Louis Jourdan

Uncle Desmond Bonnard

Photo of Marsha Hunt

Marsha Hunt

Susan Bonnard

Photo of Bobby Driscoll

Bobby Driscoll

Robert 'Bibi' Bonnard

Photo of Linda Christian

Linda Christian

Mignonette Chappuis

Photo of Kurt Kasznar

Kurt Kasznar

Uncle Louis Bonnard

Photo of Marcel Dalio

Marcel Dalio

Grandpere Bonnard

Photo of Jeanette Nolan

Jeanette Nolan

Felice Bonnard

Photo of Jack Raine

Jack Raine

Mr. Frye - School Principal

Photo of Richard Erdman

Richard Erdman

Alfred Grattin

Photo of Marlene Cameron

Marlene Cameron

Peggy O'Hare

Photo of Annabel Faber

Annabel Faber

Yvonne Bonnard

Photo of Kathryn Sheldon

Kathryn Sheldon

Miss Tate - Schoolteacher

Photo of Maurice Marsac

Maurice Marsac

The Great Gaspari

Photo of Will Wright

Will Wright

Family Doctor

Photo of Eugene Borden

Eugene Borden

Monsieur Lafayette - Grocer

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Reviews

G

CinemaSerf

7/10

Aside from "Treasure Island" (1950) this might be my favourite film featuring the charming Bobby Driscoll. He's the teenage "Robert/Bibi" who is completely oblivious to the affections of his next door neighbour because he only has eyes for the new maid "Mignonette" (Linda Christian). His obsessiveness starts to affect his schoolwork, and when the lovelorn "Peggy" (Marlene Cameron) doctors a rather risqué copy of "Paris Match" and gets him into hot water, things get so serious as to require the intervention of his dad (Charles Boyer) and two uncles (Louis Jourdan and Kurt Kasznar). They question him about the naughty photos and respect his denial whilst also clocking really quite quickly just what is troubling their young charge. Boyer is also on good form here, and I thought Richard Fleischer's amiable direction allowed the deftly adapted script to tell us a story of pubescent love mixed with familial concern and affection and peppered with some lovely, quite witty, observational humour. Driscoll was seventeen or so when he made this, so he probably had some genuine hormones to add to this genuinely quite enjoyable comedic drama. Don't be put off by the rather ropey title track, it's really quite good fun, this.

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