The Ice Tower

Colder than ice, her kiss pierces the heart.

5.6
20251h 58m

Jeanne, a 15-year-old orphan, witnesses the shoot for a film adaptation of the fairy tale The Snow Queen, and she becomes fascinated by its star, Cristina, an actress who is just as mysterious and alluring as the Queen she is playing.

Production

Logo for Sutor Kolonko
Logo for Davis Films
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Trailers & Videos

Thumbnail for video: UK Trailer [Subtitled]

UK Trailer [Subtitled]

Thumbnail for video: Official Trailer [Subtitled]

Official Trailer [Subtitled]

Thumbnail for video: Mark Kermode reviews The Ice Tower (2025) | BFI Player

Mark Kermode reviews The Ice Tower (2025) | BFI Player

Cast

Photo of Marion Cotillard

Marion Cotillard

Cristina / The Snow Queen

Photo of Clara Pacini

Clara Pacini

Jeanne / Bianca

Photo of Marine Gesbert

Marine Gesbert

Stéphanie

Photo of Gaspar Noé

Gaspar Noé

Dino, the Director

Photo of Dounia Sichov

Dounia Sichov

The First Assistant Director

Photo of Aurélia Petit

Aurélia Petit

Narrator (voice)

Photo of Raphael Reboul

Raphael Reboul

The Second Assistant Director

Photo of Carmen Haidacher

Carmen Haidacher

Receptionist

Photo of Wilhelm Bonnelle

Wilhelm Bonnelle

The Hotel Porter

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Reviews

G

CinemaSerf

6/10

There are three threads to this drama, but sadly none of them are really very engaging as it veers away from what could have been quite an intriguing fantasy and heads more into melodrama territory. Firstly, we have “Jeanne” (Clara Pacini). An upset orphan, she has only recently fled her home and just happens to stumble upon a film production of “The Snow Queen” that is being headlined by the temperamental “Cristina” (Marion Cotillard). Now “Cristina” is not a woman with her problems to seek either, and with the third strand illustrating just how the film is being made, we are presented with a slow, dimly lit and really quite lacklustre combination of themes that never quite sparkles. To be fair to Cotillard, she does exude a certain frostiness that the photography does well to support, but as the two women’s characters start to intertwine more, that darkness, eeriness and coldness becomes subsumed in something altogether more tame. I’m sure one of it’s purposes is to blur the realities for both women - and thereby for us, too, and as it progresses we see the fascinated young “Jeanne/Bianca" become even more immersed in a fairy story than we know she was when she first arrived, but I didn’t feel there to be very much substance or electricity in their rapidly arrived at relationship. The film is atmospheric but that’s not really anything to do with either of them either, nor their sparsely delivered dialogue. For me, it was because I already knew how unforgiving and demanding Anderson’s original “Snow Queen” was and so Cotillard needn’t do so much of her own heavy lifting. I don’t know, perhaps I just wasn’t in the mood, but I was really quite disappointed with this.

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