Cast
Nurlan Koyanbayev
Zhomart Baltabaev
Ramazan Amantay
Erkosh
Ashli Auguillard
Jennifer
Gulnaz Zholanova
Aisulu
Dariga Badykova
Makpal
Sean Alexander James
Adam Emers
Romani Rauan
Baha
Christian Calloway
Homeless
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Georges Méliès makes a woman disappear, then reappear.
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La Rabbia
Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.
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Haeil, wounded by his wife's words of 'premature ejaculation', goes to a urology department. But because the doctor is a woman, she is so surprised and embarrassed that she tries to go out. Then, a word from a woman doctor catches him. "How long will you live with premature ejaculation?". After that, after receiving special treatment, the beautiful female doctor Jeongyeon and glamor nurse Mijoo, Haeil gradually became a man loved by his wife.
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To improve the morale of the German officers, a train with beautiful girls is arranged to entertain them when on leave.
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