The Lady in Question

The jury finds her innocent... well not too innocent!

6.6
19401h 20m

When a jury member takes in the defendant he couldn't convict, she has a bad influence on his son.

Production

Logo for Columbia Pictures

Cast

Photo of Brian Aherne

Brian Aherne

Andre Morestan

Photo of Rita Hayworth

Rita Hayworth

Natalie Roguin

Photo of Glenn Ford

Glenn Ford

Pierre Morestan

Photo of Irene Rich

Irene Rich

Michele Morestan

Photo of George Coulouris

George Coulouris

Defense Attorney

Photo of Lloyd Corrigan

Lloyd Corrigan

Prosecuting Attorney

Photo of Evelyn Keyes

Evelyn Keyes

Francois Morestan

Photo of Edward Norris

Edward Norris

Robert LaCoste

Photo of Curt Bois

Curt Bois

Henri Lurette

Photo of Frank Reicher

Frank Reicher

President

Photo of Louis Adlon

Louis Adlon

First Court Clerk (uncredited)

Photo of Leon Belasco

Leon Belasco

Barber (uncredited)

Photo of Mary Bovard

Mary Bovard

Miss Lucille Morlet (uncredited)

Photo of Dorothy Burgess

Dorothy Burgess

Antoinette (uncredited)

Photo of William Castle

William Castle

Angry Juror #1 (uncredited)

Photo of George Davis

George Davis

Customer (uncredited)

Photo of Vernon Dent

Vernon Dent

Gendarme (uncredited)

Photo of Fern Emmett

Fern Emmett

Natalie Roguin #2 (uncredited)

Photo of Carlton Griffin

Carlton Griffin

Juror (uncredited)

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Reviews

G

CinemaSerf

6/10

Brian Aherne is quite good in this comedy drama. He is an enthusiastic juror who having convinced his colleagues to acquit "Natalie" (Rita Hayworth) of a charge of murder after she attempted to extort money from her beau, offers her a job in his family bicycle shop. He keeps her identity secret. Soon his son "Pierre" (Glenn Ford) is really pretty smitten and their normally ordered life starts to become a little bit hectic. At times, this is really quite enjoyable - Aherne is on good form (he reminded me a bit of Robert Donat), with a quickly paced script and a few red herrings about the girl's guilt or innocence to keep the plot interesting. The ending is a little bit contrived, but it is still not a bad reimagining of "Gribouille" (1937).

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