The Little American

The silent sufferers

6.3
19171h 3m

A young American has her ship torpedoed by a German U-boat but makes it back to her ancestral home in France, where she witnesses German brutality firsthand.

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Cast

Photo of Mary Pickford

Mary Pickford

Angela Moore

Photo of Jack Holt

Jack Holt

Karl von Austreim

Photo of Raymond Hatton

Raymond Hatton

Count Jules de Destin

Photo of Hobart Bosworth

Hobart Bosworth

German Colonel

Photo of Walter Long

Walter Long

German Captain

Photo of Wallace Beery

Wallace Beery

German Soldier (uncredited)

Photo of Norman Kerry

Norman Kerry

Wounded Soldier (uncredited)

Photo of Colleen Moore

Colleen Moore

Maid (uncredited)

Photo of Ramon Novarro

Ramon Novarro

Wounded Soldier (uncredited)

Photo of Sam Wood

Sam Wood

Wounded Soldier (uncredited)

Photo of James Neill

James Neill

Senator John Moore

Photo of Ben Alexander

Ben Alexander

Bobby Moore

Photo of Guy Oliver

Guy Oliver

Frederick von Austreim

Photo of Edythe Chapman

Edythe Chapman

Mrs. von Austreim

Photo of Lillian Leighton

Lillian Leighton

Angela's Great Aunt

Photo of DeWitt Jennings

DeWitt Jennings

English Barrister

Photo of Clarence Geldart

Clarence Geldart

Submarine Commander U-Boat 21 (uncredited)

Photo of Carl Gerard

Carl Gerard

Reverend (uncredited)

Photo of Robert Gordon

Robert Gordon

Wounded Soldier (uncredited)

Photo of Gordon Griffith

Gordon Griffith

Child (uncredited)

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Reviews

G

CinemaSerf

7/10

With the Great War ravaging Europe as this film was made, it’s a clear signal of patriotism from star Mary Pickford as she depicts the feisty “Angela”. She’s from wealthy stock and on her birthday is being courted by French “Count Jules” (Raymond Hatton) and by her slight favourite, the Prussian soldier “Karl” (Jack Holt). Before she has to make any choices, though, both head to their respective homes to fight. Shortly thereafter, she decides to travel to her aunt’s home in France only for her liner to be torpedoed and for her to find that when she eventually arrives at her stately pile that the Bosch are intent on billeting there and behaving abominably too. Her American status gives her a degree of protection so long as she stays out of the conflict, and her stiff-necked friend “Karl” is amongst the occupiers, but when their cruelty to the house’s staff and to an elderly gent shock her to the core, she decides that she can no longer stay on the fence. What now ensues sees her bravely attempt to help the Allied forces at great peril not just to her, but to her friend who would try to keep her as alive as his upbringing would permit! That merely invites a trial for espionage and treason and a firing squad for both of them looms… Can they find a way to escape the bullets? This is an effective propaganda tool, this film, illustrating just how ghastly the enemy were; how indiscriminate their violence was inflicted and how generally boorish and superior they were. Pickford and Cecil B. DeMille clearly wanted to ram that point home to domestic audiences and on that front they are quite effective. It really could have done with some more light, but even dingy as it is it delivers quite a potent analysis of uniformed thuggery tempered by conflicted romance and a semblance of human decency. It has it’s zealous moments - from all sides, and in it’s way it is quite a tough film to watch as though not graphic in terms of photography, it is in terms of psychology. It has a clear message to send and is worth a watch, I’d say.

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