The Man Who Fell to Earth

Power, space, time and a visitor.

6.4
19762h 19m

Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.

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Trailers & Videos

Thumbnail for video: The Man Who Fell To Earth - Rialto Pictures 35th Anniversary Trailer

The Man Who Fell To Earth - Rialto Pictures 35th Anniversary Trailer

Thumbnail for video: THE MAN WHO FELL TO EARTH - Trailer

THE MAN WHO FELL TO EARTH - Trailer

Thumbnail for video: STUDIOCANAL PRESENTS: THE PODCAST - The Man Who Fell to Earth with guest & film critic Mark Kermode

STUDIOCANAL PRESENTS: THE PODCAST - The Man Who Fell to Earth with guest & film critic Mark Kermode

Thumbnail for video: Michael C. Hall on The Man Who Fell to Earth and David Bowie

Michael C. Hall on The Man Who Fell to Earth and David Bowie

Cast

Photo of David Bowie

David Bowie

Thomas Jerome Newton

Photo of Rip Torn

Rip Torn

Nathan Bryce

Photo of Candy Clark

Candy Clark

Mary-Lou

Photo of Buck Henry

Buck Henry

Oliver Farnsworth

Photo of Claudia Jennings

Claudia Jennings

Peters' Wife

Photo of Jim Lovell

Jim Lovell

James Lovell

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Reviews

G

CinemaSerf

6/10

Very much a vehicle for David Bowie, this is otherwise a rather derivative and unimaginative story of an alien ("Newton") who arrives on Earth, naked and penniless. He is tasked with trying to find a way to save his own doomed planet, but quickly discovers that he has skills! He can make money, and money buys nice things; it buys nice sex; it gives him power... All of these pleasures distract him from the purpose of his visit. Can he refocus? Well his infatuation with "Mary-Lou" (Candy Clark) isn't helping, nor are those around him - "Bryce" (Rip Torn) amongst them - with their own rather parasitic agendas, and his own character undergoes quite a few transformations as his exposure to the Earth and all of it's frequently conflicting moralities presents him with quite a few challenges. To be perfectly honest, I was rather bored with this. It offers us a smorgasbord of humanity with little context or character depth. Bowie is attractive to look at - sometimes - but really isn't much of an actor and at over 2¼ hours long, the plot had little option but to recycle itself - in various thinly disguised guises - just once too often for me. Stomu Yamashta's score is heavy overused, I thought, and by the end I really wasn't so very bothered whether or not he succeeded. As an observation of 1970s priorities, aspirations and excesses, it is quite illustrative I suppose, but as a film to see on a big screen it is really nothing at all to write home about, sorry.

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