The Mummy's Curse
Egypt's ancient loves live again in evil!
After being buried in quicksand for the past 25 years, Kharis is set free to roam the rural bayous of Louisiana, as is the soul of his beloved Princess Ananka, still housed in the body of Amina Mansouri, who seeks help and protection at a swamp draining project.
Trailers & Videos

The Mummy's Curse - Trailer
Cast

Lon Chaney Jr.
Kharis

Peter Coe
Dr. Ilzor Zandaab

Virginia Christine
Princess Ananka

Kay Harding
Betty Walsh

Dennis Moore
Dr. James Halsey

Martin Kosleck
Ragheb

Kurt Katch
Cajun Joe

Addison Richards
Maj. Pat Walsh

Holmes Herbert
Dr. Cooper

William Farnum
The Sacristan

Charles Stevens
Achilles

Enrique Acosta
Bit (uncredited)

Sam Appel
Bit (uncredited)

Budd Buster
Cajun standing at bar, smoking pipe (uncredited)

Ann Codee
Tante Berthe (uncredited)

James Crane
The Pharaoh in Flashback (archive footage / uncredited)

Al Ferguson
Construction Worker (uncredited)

Herbert Heywood
Hill - Foreman (uncredited)

Boris Karloff
Kharis in Flashback (archive footage / uncredited)

Tony Santoro
Ulysses (uncredited)
More Like This
Reviews
CinemaSerf
This proved to be the final instalment in the series of the adventures of poor old "Kharis" (Lon Chaney Jr.) as he continues to try and reunite with his "Princess Ananka" (this time Virginia Christine), and is actually one of there better ones. A group of workmen are draining a swamp when one of their number is found strangled. Rumours of there being mummies buried there are rife, much to the chagrin of the boss "Pat Walsh" (Addison Richards) who just wants to get on with his tasks. His frustration is compounded by the arrival of a couple of boffins who are ostensibly seeking the mummified remains for a museum but have, of course, a devilish ulterior motive that ends up with them finding an ancient monastery (in Louisiana!?). There, the High Priest (Peter Coe) concocts the elixir from the tan leaves that empowers our embalmed enforcer to once again search and all hell breaks loose. It's a straightforward recycling of the other stories, but is still quite fun to watch and it's lit in a fashion that - just about - lends itself to the tiniest bit of peril.
You've reached the end.




















