The Mummy's Hand
The tomb of a thousand terrors!
A couple of young, out-of-work archaeologists in Egypt discover evidence of the burial place of the ancient Egyptian princess Ananka. After receiving funding from an eccentric magician and his beautiful daughter, they set out into the desert only to be terrorized by a sinister high priest and the living mummy Kharis who are the guardians of Ananka’s tomb.
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Trailers & Videos

Joe Dante on THE MUMMY'S HAND

The Mummy's Hand (1940) Official Trailer - Dick Foran, Peggy Moran Movie HD
Cast

Dick Foran
Steve Banning

Peggy Moran
Marta Solvani

Wallace Ford
Babe Jenson

Eduardo Ciannelli
The High Priest

George Zucco
Professor Andoheb

Cecil Kellaway
The Great Solvani

Charles Trowbridge
Dr. Petrie

Tom Tyler
The Mummy

Sig Arno
The Beggar-Henchman

Harry Stubbs
Bartender

Michael Mark
Bazaar Owner

Leon Belasco
Ali

Frank Lackteen
Temple Priest (uncredited)

Murdock MacQuarrie
Temple Priest (uncredited)

Ken Terrell
Egyptian Thug (uncredited)

Boris Karloff
Kharis (archive footage / uncredited)

Zita Johann
Princess Ananka (archive footage / uncredited)

James Crane
King Amenophis (archive footage / uncredited)
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Reviews
Ack
Not a bad movie for a rainy Saturday afternoon. It's a little serious and a little bit fun. Keep an open mind and realize this isn't a million dollar production and it can be very enjoyable.
CinemaSerf
Ultimately, this spawned three sequels that develop the tales of "Kharis" (this time Tom Tyler) as he is raised from his perpetual living death to reconcile with his "Princess Ananka". By far the best of them, this film starts off with Dick Foran ("Steve Banning) and Wallace Ford ("Babe Johnson") as two hapless archaeologists who accidentally discover and defile the tomb of "Kharis" who, together with his menacing, megalomanic High Priest "Andoheb" (George Zucco) are not best pleased. Revived by his potent elixir of Tan leaves, the mummy sets off to wreak vengeance on his desecrators - and, of course, to find his long lost gal whom he hopes will buy into his new "been in a terrible fire/hospital" look. The production is a bit basic - there is plenty of repetitive use of the same shots but the cast/writing in this are quite decent - Cecil Kellaway and Eduardo Cianelli are quite effective at keeping the story moving along between strangulations and it's got quite a good conclusion too. No relation to Karloff's 1932 version, but still quite an enjoyable development go the them that I rather enjoyed.
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