The Next of Kin

5.1
19421h 42m

Lots of slogans such as "Be like Dad, Keep Mum" and "Keep it under your Hat" are visible on the walls in various scenes to reinforce the plot of this British wartime movie illustrating how gossipy talk can result in unknowingly giving valuable information to Nazi spies.

Production

Logo for Ealing Studios

Cast

Photo of Mervyn Johns

Mervyn Johns

No 23: Mr Davis

Photo of Nova Pilbeam

Nova Pilbeam

Beppie Leemans

Photo of Reginald Tate

Reginald Tate

Maj. Richards

Photo of Jack Hawkins

Jack Hawkins

Brigade Major Harcourt

Photo of Philip Friend

Philip Friend

Lt. Cummins

Photo of Phyllis Stanley

Phyllis Stanley

Miss Clare

Photo of Mary Clare

Mary Clare

Mrs. Webster

Photo of Basil Sydney

Basil Sydney

Naval captain

Photo of Joss Ambler

Joss Ambler

Mr Vemon

Photo of Brefni O'Rorke

Brefni O'Rorke

Brigadier Blunt

Photo of David Hutcheson

David Hutcheson

Intelligence officer

Photo of Torin Thatcher

Torin Thatcher

German General

Photo of Thora Hird

Thora Hird

ATS drover with puncture

Photo of Charles Victor

Charles Victor

Neutral Seaman - Irish Joe

Photo of Basil Radford

Basil Radford

Careless Talker on Train

Photo of Naunton Wayne

Naunton Wayne

Careless Talker on Train

Photo of Johnnie Schofield

Johnnie Schofield

Lance-Corporal

Photo of Frank Allenby

Frank Allenby

Wing-Cmdr. Kenton

Photo of Ian Fleming

Ian Fleming

Naval Officer (uncredited)

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Reviews

G

CinemaSerf

6/10

This isn't so much an action film, as a series of scenarios that convey a message to the watching public that "careless talk costs lives". It started out life as a training film and you can tell by the rather clunky editing that director Thorold Dickinson was thinking on his feet as this project aimed at the military grew into a very important, and effective, counter-espionage tool. It's got quite a formidable cast of serving (or reservist) soldiers including Mervyn Johns, Jack Hawkins, Stephen Murray, Basil Sydney as well as Torin Thatcher in his typical role as the baddie; and the narrative weaves threads that cleverly expose just how easily the enemy got hold of information and capitalised on it. It uses actuality from time to time, and has a strange sort of excitement especially as the climaxes to each thread are not always favourable to the British which also lends it a considerable authenticity. There is a bit of wartime black humour to enjoy too, and though a curious film to watch, it has an unique plausibility which I found interesting, and to an extent, quite enjoyable.

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