The Web

7.1
19471h 27m

A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head.

Production

Logo for Universal International Pictures

Trailers & Videos

Thumbnail for video: The Web (1947) ORIGINAL TRAILER

The Web (1947) ORIGINAL TRAILER

Cast

Photo of Ella Raines

Ella Raines

Noel Faraday

Photo of William Bendix

William Bendix

Lt. Damico

Photo of Vincent Price

Vincent Price

Andrew Colby

Photo of Maria Palmer

Maria Palmer

Martha Kroner

Photo of John Abbott

John Abbott

Charles Murdock

Photo of Fritz Leiber

Fritz Leiber

Leopold Kroner

Photo of Howland Chamberlain

Howland Chamberlain

James Nolan (as Howard Chamberlin)

Photo of Tito Vuolo

Tito Vuolo

Emilio Canepa

Photo of Wilton Graff

Wilton Graff

District Attorney

Photo of Robin Raymond

Robin Raymond

Newspaper Librarian

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Reviews

J

John Chard

7/10

I'm a lawyer not a bodyguard.

The Web is directed by Michael Gordon and collectively written by William Bowers, Bertram Millhauser and Harry Kurnitz. It stars Edmond O'Brien, Ella Raines, William Bendix and Vincent Price. Music is by Hans J. Salter and cinematography by Irving Glassberg.

A good and solid film noir from one of the golden years of the film making style. Plot pitches O'Brien as a small time lawyer, who after impressing crafty businessman Vincent Price with his commitment to his work, gets hired as a minder since Price is worried about an old associate who has apparently issued a death threat. Sure enough all is not as it seems and before long O'Brien finds himself under scrutiny for the death of the associate.

The writing isn't great as per the twists and turns, they are all signposted and lit up in bold letters, yet this is a small complaint because the fun is in the characterisations and the scripted dialogue. O'Brien has the quips and bravado, Raines the sexy smoulder and Price the weasel machinations. Bendix as a good cop is a little too out in the periphery of things to truly impact on the narrative in the way his fans would like, but his scenes with O'Brien are a joy and sparkle with prickly sarcasm, while Gordon and Glassberg bring the film noir style via the requisite amount of shadow play and camera tilts (love those slats and balustrades).

Nifty noir tech credits cosy up with a likable hero, a sassy femme, a slimy villain and big bad Billy Bendix = Score! 7/10

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