These Three

Were they the innocent victims of a whispering campaign?

7.1
19361h 33m

Close friends Martha and Karen build a private boarding school together with the aid of the local doctor Joe. The school takes off and many students enroll, one of whom is a trouble-maker who tells a scandalous lie that threatens to destroy the trio's lives.

Production

Logo for Samuel Goldwyn Productions

Available For Free On

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Trailers & Videos

Thumbnail for video: These Three - Trailer 1936

These Three - Trailer 1936

Cast

Photo of Miriam Hopkins

Miriam Hopkins

Martha Dobie

Photo of Merle Oberon

Merle Oberon

Karen Wright

Photo of Joel McCrea

Joel McCrea

Dr. Joseph 'Joe' Cardin

Photo of Catherine Doucet

Catherine Doucet

Lily Mortar

Photo of Alma Kruger

Alma Kruger

Amelia Tilford

Photo of Bonita Granville

Bonita Granville

Mary Tilford

Photo of Marcia Mae Jones

Marcia Mae Jones

Rosalie Wells

Photo of Walter Brennan

Walter Brennan

Taxi Driver

Photo of Joan Barclay

Joan Barclay

Schoolgirl (uncredited)

Photo of Al Bridge

Al Bridge

Mrs. Walton's Chauffeur (uncredited)

Photo of Frank McGlynn Sr.

Frank McGlynn Sr.

Judge (uncredited)

Photo of Greta Meyer

Greta Meyer

Viennese Waitress (uncredited)

Photo of Tommy Bupp

Tommy Bupp

Boy on Merry-Go-Round (uncredited)

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Reviews

G

CinemaSerf

7/10

Rarely, if ever, do I rate the child as the star of a film, but Bonita Granville is very, very good as the odious, obnoxious, hateful, spiteful, spoiled "Mary" in this story of two teachers - Merle Oberon and Miriam Hopkins - who fall for the doctor - Joel McCrea. When these old friends try to discipline the ghastly child for persistent lateness, she flees to her wealthy grandmother and concocts a story designed to destroy their careers and their happiness. It's a simple story, well told, that conveys clearly the perils of telling lies. The lead performances are super, and well supported by Catherine Doucet; Alma Kruger as the doting grandmother and "Miss Gulch" herself - Margaret Hamilton - as the maid who sees through the child right from the outset. There are some fairly hefty alterations to Lillian Hellman's original play; the relationship between the women is entirely platonic in the film which was not the case on stage, but that's no great surprise given the commercial necessities of the time and it is still well worth a watch.

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