Trailers & Videos

To Be or Not To Be (1942) «Tráiler Original» Ernst Lubitsch

Three Reasons: To Be or Not to Be

Joe Dante on TO BE OR NOT TO BE
Cast

Carole Lombard
Maria Tura

Jack Benny
Joseph Tura

Robert Stack
Lieut. Stanislav Sobinski

Felix Bressart
Greenberg

Lionel Atwill
Rawitch

Stanley Ridges
Professor Alexander Siletsky

Sig Ruman
Col. Ehrhardt

Tom Dugan
Bronski

Charles Halton
Producer Dobosh

George Lynn
Actor-Adjutant

Henry Victor
Capt. Schultz

Maude Eburne
Anna

Halliwell Hobbes
Gen. Armstrong

Miles Mander
Major Cunningham

Rudolph Anders
Gestapo Sergeant at Desk at Top of Hotel Stairs (uncredited)

Sven Hugo Borg
German Soldier (uncredited)

Buster Brodie
Townsman (uncredited)

Alec Craig
Scottish Farmer Without Mustache (uncredited)

Helmut Dantine
Co-Pilot (uncredited)

James Finlayson
Scottish Farmer with Mustache (uncredited)
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Reviews
CinemaSerf
So, a Polish acting company are busy putting on “Hamlet” whilst the Nazis are preparing something altogether more menacing across the border. “Joseph” (Jack Benny) and wife “Maria” (Carole Lombard) are the stars of the show, and she has no shortage of admirers including an air force officer “Sobieski” (Robert Stack) who bravely decamps to the UK following the invasion to join the RAF. Rather foolishly, as it turns out, the enthusiastic young “Sobieski” confides some highly confidential information about the resistance to fellow citizen “Prof. Siletski” (Stanley Ridges) who is about to return home to Poland. No sooner has he left than they discover he is really a Gestapo spy and is now equipped with a list of those resistance fighters working in Warsaw. The only way they can think of to retrieve the list (and it’s duplicate) is for him to return and for the troupe to capture the unsuspecting traitor by pretending to be just about everyone from his handler to the Austrian corporal himself. Can they obtain the document and get themselves back to Blighty or are they all going to end up against a wall? This is an entertainingly paced drama, laced with comedy and even a little from the bard himself as Benny plays multiple roles and Lombard has a go at stabilising the plot as the glamorous counter-spy. Along the way this pokes fun at the eccentricities of the espionage industry, suggests an amiable degree of stupid pomposity amongst the conquerors - especially Sig Ruman’s goose-stepping “Col. Ehrhardt” and you have to keep your wits about you else you might lose track of just who’s beard is real or stick-on. I can imagine this sailed quite close to the wind in 1942, but for me it’s the kind of black humour that ridicules successfully their nemesis whilst simultaneously and comedically exposing their brutal excesses. Ernst Lubitsch, like the theatrical characters themselves, offers us a frequently quite wittily written and engaging ensemble effort that both Benny and Lombard hold together well, it has some precision timing and it’s well worth a gander.
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