Two Alone

She'll win you again when you see her in this drama of youthful fire that fought and surrendered to irresistible nature.

7.0
19341h 15m

Mazie, a poor orphan girl, is mistreated by cruel farmer Slag and his wife for whom she works. Mazie, who is growing into a woman, does not like they way Slag has been looking at her lately.

Production

Logo for RKO Radio Pictures

Cast

Photo of Zasu Pitts

Zasu Pitts

Esthey Roberts

Photo of Beulah Bondi

Beulah Bondi

Mrs. Slag

Photo of Willard Robertson

Willard Robertson

George Marshall

Photo of Charley Grapewin

Charley Grapewin

Sandy Roberts

Photo of Emerson Treacy

Emerson Treacy

Milt Pollard

Photo of Paul Nicholson

Paul Nicholson

The Sheriff

Photo of Wade Boteler

Wade Boteler

2nd Deputy Sheriff (uncredited)

Photo of Jim Farley

Jim Farley

1st Deputy Sheriff (uncredited)

Photo of Edith Fellows

Edith Fellows

Rogers' Daughter (uncredited)

Photo of Earle Hodgins

Earle Hodgins

Carnival Barker (uncredited)

Photo of Matt McHugh

Matt McHugh

Counter Man (uncredited)

Photo of Russ Powell

Russ Powell

Blacksmith (uncredited)

Photo of Zeffie Tilbury

Zeffie Tilbury

Rogers' Neighbor (uncredited)

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Reviews

F

Frank F

8/10

An excellent pre-code, depression-era film about the hardships and cruelty experienced by mistreated youth in a back-wood, uneducated, poor farming community.

Jean Parker delivers an excellent performance depicting Mazie, an orphan who is under the foster care of cruel farmer Slag and his wife. Slag is beginning to look at his young, but well-developed ward Mazie in a not-very-fatherly way.

Mazie's only friend, kind farm hand George Marshall, quits because of Slag's cruelty. George asks Mazie about herself and he promises to contact Mazie once he completes some research.

Adam, a runnaway from a boys reform school, shows up one day while Mazie is eating alone by the stream. Despite being a bit scary acting, he only pesters her for food and keeps telling her to stay away. A friendship is developed between the two when Slag realizes that he can use Adam for free labor.

All of the performances are spot-on. Arthur Byron makes an excellent heartless, despicable Slag. Tom Brown is a good boy at heart, who's only real crime was defending his mother from the beatings from his father.

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