Under Milk Wood

5.9
19721h 28m

The delightful if peculiar story of a day in the life of a small, Welsh fishing village called "Llareggub" in which we meet a host of curious characters (and ghosts) through the 'eyes' of Blind Captain Cat.

Trailers & Videos

Thumbnail for video: Under Milk Wood (1972) Trailer

Under Milk Wood (1972) Trailer

Cast

Photo of Elizabeth Taylor

Elizabeth Taylor

Rosie Probert

Photo of Peter O'Toole

Peter O'Toole

Captain Tom Cat

Photo of Glynis Johns

Glynis Johns

Myfanwy Price

Photo of Siân Phillips

Siân Phillips

Mrs. Ogmore-Pritchard

Photo of Victor Spinetti

Victor Spinetti

Mog Edwards

Photo of Angharad Rees

Angharad Rees

Gossamer Beynon

Photo of Ray Smith

Ray Smith

Mr Waldo

Photo of Ann Beach

Ann Beach

Polly Garter

Photo of Glynn Edwards

Glynn Edwards

Mr Cherry Owen

Photo of Tim Wylton

Tim Wylton

Mr Willy Nilly

Photo of Meg Wynn Owen

Meg Wynn Owen

Lily Smalls

Photo of Aubrey Richards

Aubrey Richards

Rev Eli Jenkins

Photo of Mark Jones

Mark Jones

Evans the Death

Photo of Richard Davies

Richard Davies

Mr Pritchard

Photo of David Jason

David Jason

Nogood Boyo

Photo of Davyd Harries

Davyd Harries

PC Attila Rees

Photo of Maudie Edwards

Maudie Edwards

Mrs Utah Watkins

Photo of Margaret Courtenay

Margaret Courtenay

Waldo Wife Three

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Reviews

G

CinemaSerf

6/10

This is an enjoyable enough adaptation of Dylan Thomas' story of the lives of a small Welsh fishing community with a name (read it backwards) that pretty much sets the tone for this whimsical tale that mixes sex, poetry, lust and mischief through characterisations lead by the blind "Capt. Tom Cat" (Peter O'Toole); his slatternly pal "Rosie Probert" (Elizabeth Taylor) and the sexy Glynis Johns - all underpinned by a wonderfully mellifluous narrative from Richard Burton. As a book it allows your imagination to run wild; as a film - and particularly this one - the imagination is replaced by rather unimaginative imagery that over-relies on the stars and underplays the subtlety and nuance of the work. Some things are best left to our own fantasy - or, perhaps, to the radio where again the audience must do most of the thinking. Cinema bursts the bubble and leaves all with the one interpretation that stifles, somewhat, individual appreciation of the eccentricities of this sexually charged, frequently comical story. Clearly a labour of love for Burton and still well worth a watch, but a bit underwhelming.

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