Cast
Dennis Walsh
Billy
Megan Ross
Karen
Peter Thadliski
Angelo
John Meyers
Brian
Darc Traid
Moses
John Tyme
Doug
Mark Ekwall
Tai Chi Instructor
Sydney Soons
In The Tai Chi Class
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People
Six vignettes pit an assortment of characters against each other in everyday situations.
People
PEOPLE is a new collaboration of riders and filmers from Mack Dawg Productions. Directed by Pierre Minhondo and Justin Eeles. This newly formed collective combines the talents, attitude, and fun-loving folks from such films as kidsKNOW’s “Burning Bridges,” and Neoproto’s “Some Kinda Life”. Learn, watch, and follow these PEOPLE as they show you real snowboarding in their own form. From our cities to yours, look forward to watching: Jon Kooley, Justin Hebbel, Nima Jalali, Jordan Mendenhall, Curtis Woodman, Mitch Nelson, Bryan Fox, Etienne Gilbert, Robbie Sell, Stephen Duke, Pat McCarthy, Shaun McKay, Josh Mills, Marius Otterstad, Jussi Tarvainen, and Ryan Thompson. -Released August 2006.
Hurricane Touchdown
After the older DigiDestined are abducted by the mysterious Kokomon, the next generation of kids team up with American DigiDestined Willis to rescue them - only to discover that their enigmatic enemy has an unexpected connection to their new friend!
My Super Psycho Sweet 16: Part 3
As she leaves for art school in New York, Skye gets a phone call from Alex. Skye hasn't heard from Alex in two years, but before she can move on with her life she needs to tie up some loose ends. Unfortunately, someone else has the same idea, and they're stalking and slashing their way through Alex's Sweet 16 party at her grandparents' isolated estate.
Palkó Csinom
The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.
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As novice detectives, Bud and Lou come face to face with the Invisible Man.
Revival of Evangelion
Revival of Evangelion is a re-edit of the Neon Genesis Evangelion films , released in 1998. It consists of Evangelion: Death (which was essentially a clip show that summarized the entire regular series) and The End of Evangelion , re-edited together to make a version that tells the entire story of Evangelion. It is considered to be the final form of the Evangelion films.
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When things go wrong at the circus, it's up to Superman to stop the escaped animals.
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Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.
Delisin
A shy introvert falls for the photographer who took her pictures during high school. Confused and worried, she doubts that love will elapse and can never open up to her lover. Yet she cannot runaway from love.
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A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.
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During a failed art heist, the Djinn is once again liberated. This time, to complete the 1001 wishes that he needs before the final 3, he lets himself go to prison, where he starts his evil reign twisting the hopes of the prisoners. Meanwhile, the woman who set him free accidentally, Morgana, tries to find a way to stop him, aided by a young priest.
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The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.
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A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.
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A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.
Palitan
When a dare pushes two couples into an orgy, suppressed feelings rekindle between the two ladies, who were once best friends and lovers.
People
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
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