When a Stranger Calls

Every babysitter's nightmare becomes real...

6.2
19791h 37m

A student babysitter has her evening disturbed when the phone rings. So begins a series of increasingly terrifying and threatening calls that lead to a shocking revelation.

Production

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Trailers & Videos

Thumbnail for video: TCM Slumberground Presents: When a Stranger Calls (1979)

TCM Slumberground Presents: When a Stranger Calls (1979)

Thumbnail for video: When A Stranger Calls 1979

When A Stranger Calls 1979

Thumbnail for video: When a Stranger Calls (1979) Trailer

When a Stranger Calls (1979) Trailer

Cast

Photo of Carol Kane

Carol Kane

Jill Johnson

Photo of Charles Durning

Charles Durning

John Clifford

Photo of Tony Beckley

Tony Beckley

Curt Duncan

Photo of Rutanya Alda

Rutanya Alda

Mrs. Mandrakis

Photo of Carmen Argenziano

Carmen Argenziano

Dr. Mandrakis

Photo of Ron O'Neal

Ron O'Neal

Lt. Charlie Garber

Photo of William Boyett

William Boyett

Sgt. Sacker (as Bill Boyett)

Photo of Steven Anderson

Steven Anderson

Stephen Lockart

Photo of DeForest Covan

DeForest Covan

Officer #1

Photo of Charles Boswell

Charles Boswell

Officer #2

Photo of Dick Warlock

Dick Warlock

Bartender (uncredited)

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Reviews

W

Wuchak

6/10

**_A killer psycho escapes from the asylum and…_**

“When a Stranger Calls” (1979) is low-key horror mixed with detective drama/thriller. I say “low-key” because there’s little-to-no gore, although there’s suspense, chases and flashes of violence. It’s very polished and was obviously influenced by the artistic “Halloween” (1978) except with a very human antagonist as opposed to the indestructible Michael Myers. Then there’s the big city detective element à la “Dirty Harry” (1971) and “Tightrope” (1984), but with a pot-bellied, average-guy investigator (Charles Durning).

The film’s best known for its harrowing opening sequence, which was borrowed for Wes Craven’s “Scream” (1996) with Drew Barrymore taking over Carol Kane’s role.

It’s a work of art with a rich, atmospheric score by Dana Kaproff. Unfortunately there’s a little too much drag time in the long mid-section, which wouldn’t work for modern viewers with ADHD. Then there’s the individual unconscious in the closet with no wounds (rolling my eyes).

The movie runs 1 hour, 37 minutes, and was shot in the Los Angeles.

GRADE: B-/B

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