When Strangers Marry

DYNAMIC!

6.1
19441h 7m

A naive small-town girl comes to New York City to meet her husband, and discovers that he may be a murderer.

Trailers & Videos

Thumbnail for video: When Strangers Marry 1944

When Strangers Marry 1944

Cast

Photo of Dean Jagger

Dean Jagger

Paul Baxter

Photo of Kim Hunter

Kim Hunter

Millie Baxter

Photo of Robert Mitchum

Robert Mitchum

Fred Graham

Photo of Neil Hamilton

Neil Hamilton

Det. Lt. Blake

Photo of Lou Lubin

Lou Lubin

Jacob Houser

Photo of Dewey Robinson

Dewey Robinson

Newsstand Owner

Photo of Claire Whitney

Claire Whitney

Middle-Aged Woman

Photo of Edward Keane

Edward Keane

Middle-Aged Man

Photo of Virginia Sale

Virginia Sale

Chambermaid

Photo of Dick Elliott

Dick Elliott

Sam Prescott

Photo of Rhonda Fleming

Rhonda Fleming

Girl on Train (uncredited)

Photo of Sam McDaniel

Sam McDaniel

Train Porter (uncredited)

Photo of William Castle

William Castle

Man in Photograph Given to Police (uncredited)

Photo of Minerva Urecal

Minerva Urecal

Landlady (uncredited)

Photo of George Lloyd

George Lloyd

Hugo the Great (uncredited)

Photo of Jack 'Tiny' Lipson

Jack 'Tiny' Lipson

Man in Cafeteria (uncredited)

Photo of Weldon Heyburn

Weldon Heyburn

Bill - Police Sergeant (uncredited)

Photo of Byron Foulger

Byron Foulger

Albert Foster (uncredited)

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Reviews

J

John Chard

7/10

Your life may depend on it!

When Strangers Marry (AKA: Betrayed) is directed by William Castle and written by Philip Yordan and Dennis J. Cooper. It stars Dean Jagger, Kim Hunter, Robert Mitchum and Neil Hamilton. Music is by Dimitri Tiomkin and cinematograpy by Ira H. Morgan.

A compact William Castle noir that finds Hunter marrying a man she barely knows (Jagger), only to find he may be a murderer. Robert Mitchum is on hand for help and advice…

Well put together by Castle who keeps things brisk and simple whilst keeping the mystery element high, that in turn does justice to the decent script. There’s plenty of noir touches, from expressionistic photography and up-tilts, to cool montages and feverish scenes. Some odd characters add to the psychological discord, while Tiomkin blends jazzy dance strains with “he’s behind you” type rumbles.

Cast performances are more solid than anything spectacular, but Mitchum serves very early notice of what a presence and icon he was to become. Some sequences look cheap, which for a Monogram cheapie is to be expected, and this type of pic has been done far better by others, notably Hitchcock and Lewton, both of whom Castle doffs his cap towards. But this never outstays its welcome and there’s plenty here for the noir lover to get hooked on. 7/10

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