Young Ones

In a future without water, vengeance will rain.

5.7
20141h 40m

In a future where water is scarce, a farmer defends his land and hopes to rejuvenate his parched soil. However, his daughter's boyfriend schemes to steal the land for himself.

Production

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Trailers & Videos

Thumbnail for video: Young Ones Official Trailer #1 (2014) - Michael Shannon, Elle Fanning Sci-Fi Western HD

Young Ones Official Trailer #1 (2014) - Michael Shannon, Elle Fanning Sci-Fi Western HD

Cast

Photo of Michael Shannon

Michael Shannon

Ernest Holm

Photo of Nicholas Hoult

Nicholas Hoult

Flem Lever

Photo of Elle Fanning

Elle Fanning

Mary Holm

Photo of Kodi Smit-McPhee

Kodi Smit-McPhee

Jerome Holm

Photo of Aimee Mullins

Aimee Mullins

Katherine Holm

Photo of David Clatworthy

David Clatworthy

Calvin Hooyman

Photo of Carel Nel

Carel Nel

Bandit

Photo of Andy McPhee

Andy McPhee

Foreman Jay

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Reviews

G

CinemaSerf

6/10

No pun intended, but this is a really dry drama that assembles a decent enough cast but struggles with a really thin story. Climate change has played havoc with the water supply and so a sort of bartering arrangement has evolved between those who control the piped distribution and those who need to drink! Farmer "Ernest" (Michael Shannon) and his family are still trying to make a go of things amongst an environment of extortion and banditry - but he has one advantage. A machine that can do much of the manual work for them and one that proves useful when it comes to trading for water. Daughter "Mary" (Elle Fanning) has a boyfriend "Clem" (Nicholas Hoult) whom her father neither likes nor trusts, and when an accident occurs on a trip the two men take into the mountains, the young son "Jerome" (Kodi Smit-McPhee) gradually begins to smell a rat. With "Clem" now married to his sister, though, it is tough for "Jerome" to take his revenge. It's all perfectly adequate this in a sort of "Mad Max" light fashion, but there is little by way of characterisation and neither Hoult nor Smit-McPhee have very much to work with as the glaring sun and environmental challenges ram home much more of the message here the any of the writing does. It's adequately enough produced and edited but is really little better than afternoon television fodder that you'll quickly forget - even if you were in it.

You've reached the end.