Adila Bendimerad

Parkour(s)

Parfums d'Alger

Karima, a famous photographer who has been living in Paris for several years, is forced to return to Algiers after receiving a call from her mother informing her that her tyrannical father's health is rapidly declining. This forced return reawakens the scars and ghosts of a repressed past, especially when she learns that her brother has joined an armed group.

The Last Queen

1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?

The Repentant

Algeria region of the high flatlands. As Islamist groups continue to spread terror, Rashid, a young Jihadist, leaves the mountains to return to his village. In keeping with the law « of pardon and national harmony », he has to surrender to the police and give up his weapon. He thus receives amnesty and becomes a « repenti ». But the law cannot erase his crimes and for Rachid it's the beginning of a one-way journey of violence, secrets and manipulation.

Barbès, little Algérie

Malek, in his forties, single, has just moved to Montmartre and will soon welcome his nephew Ryiad, who has just arrived from Algeria, into his home. Together they discover Barbès, the neighborhood of the Algerian community, very lively, despite the current health crisis. His meetings with local figures will allow Malek to find a part of himself that he had buried, and to reconcile with his origins.

Normal!

After the December riots and the first peaceful marches in Algeria, while the Arab Spring begins in Tunisia and Egypt, Fouzi wants to gather his actors to show them the unfinished editing of the film he made two years ago on the illusion of a young man who seeks to express his artistic ideas. He seeks another point of view, especially an end, and he relies on the reactions of the actors to invent a new resolution of his history, in a country suddenly raised by a wave of disputes. During the projection of the film, the debate takes place: what is the place of art creation in Algeria today? How to create something without confronting censorship? How to resist ? By making movies or walking in streets towards a new revolution? Two stories intertwine, fiction and reality? A new vision of the Algerian youth of today in full political and artistic questioning.

Kindil

During a beach excursion, Nfissa, a young mother, is violently sexually harassed and drowned by a group of young men after she absent-mindedly swims into their midst. Nobody seems to witness her disappearance. Anxiety and fear grow among her family, especially as, on the same beach, bathers suddenly start dying en masse.

Ma part de Gaulois

It's the year of the baccalaureate for Magyd, a little Arab from rue Raphaël, northern districts of Toulouse. A formality for the French, a seismic event for the “native”. Just think, the first Arab ferry in the city. The end of a tunnel, the climax of a long standoff with fate, under the incessant loving pressure of the all-powerful mother and the jeering quelibets of the gang. Because it is not good to pass for an “intellectual” after school, in the periphery of “living together”; Magyd and his inseparable friends, Samir the activist and Momo the chat artist, experience it on a daily basis.

Roqia

Two parallel stories. In the present day, the disciple of an old Raqi (a Muslim exorcist) fears that his master’s dementia will unleash evil. In 1992, after a car accident that left him with amnesia, Ahmed returns to his village, where nothing seems familiar to him: neither his wife nor his children. His youngest son, frightened by Ahmed’s bandaged face, is deeply afraid of him.

The Rooftops

A sprawling, masterful depiction of a day in the life of Algiers by arguably Algeria’s greatest living filmmaker, Merzak Allouache.