Adolfo Madera

I Have to Die Every Night

Snapshot of the sophisticated and exclusive gay nightlife of one of the most emblematic clubs in 1980s’ Mexico City, where people living under the weight of a repressive society that marginalized them felt the need to express an exacerbated sense of freedom. Through the eyes of a young man eager to explore the world and live freely in the capital city, the series recreates a slice of life and a decade that shook the world.

S.W.A.T.

A Los Angeles S.W.A.T. sergeant is assigned to lead a highly skilled unit in the community where he grew up. Torn between loyalty to the streets, where the cops are sometimes the enemy, and allegiance to his brothers in blue, he strategically straddles the two worlds.

Narcos: Mexico

See the rise of the Guadalajara Cartel as an American DEA agent learns the danger of targeting narcos in 1980s Mexico.

Workers

Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.

Familia

As a family discusses the future of their idyllic olive farm over a meal, the complexity of their relationships emerges through laughs and confessions.

Northless

Andres reaches the Mexican border to cross into the United Sates. There between each attempt, he discovers that Tijuana is a troubled city. As he waits there, Andres is not only confronted with his feelings and what he left behind, but also with those he meets.

Uzi

Uzi is the name of a firearm, but also is the diminutive of Uziel, who used to be a hitman in his youth. Now he lives crushed by guilt. His crisis deepens when he helps in a childbirth: the force of life fascinates him, and he does not understand how he was able to destroy it in the past.

The Darkest Days of Us

The death of her sister has haunted Ana since her childhood. Ana has returned to Tijuana, her hometown, where she will have to fight this fragmented, cloudy and painful memory.

Una pared para Cecilia

Cecilia is seeking a new means of artistic expression. She doesn´t want to have children, they would hamper her development. An attempted robbery brings her together with Rafael, a 10 year old Chicano boy who can´t return to the USA. They inadvertently establish a mother-son relationship.

Insolación