Adriano Aprà

Glauber, Claro

A deep dive into Glauber Rocha's years exiled in Italy in the 70s. Through a collection of interviews and archives, the movie shows the making of his film Claro (1975) and his relation with European auteurs in their filmic and political views.

Filmstudio, mon amour

Un film et son époque

Dillinger Is Dead

A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.

Once Upon a Time... 'Rome, Open City'

Television documentary about the making of Roberto Rossellini's 1945 film "Rome, Open City".

Pietro Germi - The Good, The Beautiful and The Bad

This portrait of the Italian director & actor, Pietro Germi, explores his work, from Italian neorealism to the birth of the Italian comedy. He constructed his movies in a conventional way but also experimented new path. His favorite actresses such as Clau

Io credo nell'inconoscibile

A whole day in Adriano Aprà's temple-studio, for a conversation about the future of cinema, his fruitful life, and teaching utopia to young filmmakers eager to invent and experiment. This tribute to Adriano Aprà is a ceremony listening to his voice, through the film by three young people.

The Seed of Man

During a Post-Apocalyptic period in the near future the majority of the European population has been wiped out by some sort of undefined plague. Cino and Dora, a young couple, are rounded up by what constitutes the authorities on an isolated temporary base. They are examined and given antibiotics which will protect them for six months, told to pick out a deserted house to live in the area, and use that time to conceive a child.

A Matter of Heart

Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.

In the Shade of the Conformist

In this visual essay, renowned film critic and historian Adriano Apra takes a closer look at Bernardo Bertolucci's work with Pier Paolo Pasolini on La Commare Secca and discusses its poetic qualities and visual style; Before the Revolution, which was inspired by the French Nouvelle Vague; Agony, a segment from the anthology film Love and Anger; the politically charged Partner, with Pierre Clémenti, which was filmed during the '68 student riots; and The Spider's Stratagem. Adriano Apra also discusses The Conformist and its unusual color scheme, the camera movement, the lensing, etc. Also included in the essay are clips from a very long interview with the Italian director in which he explains how The Conformist came to exist, and discusses its production history, its script and Alberto Moravia's novel, the casting process, the key conflicts in the film, etc.