
Amleto Novelli
Acting
Biography
No biography available for Amleto Novelli.
Born: October 18, 1881
Known For

Papà
An unknown Menichelli, a young and lively beauty, is desired by two stars of the Italian scene: Ruggero Ruggeri and Amleto Novelli. This breezy story based on an comedy unreleased in Italy at that time is built around Ruggeri, who plays the role of a playboy father who wants to turn into the family delights rejoining his son until then neglected. Novelli, a little uncomfortable in a role that would have required ten years less, is the good-hearted rustic son. Pina Menichelli, adorned with flowers, wanders about on her bicycle, between not only two men, but also two lifestyles. In this role, she shows off a naturalness that will surprise people who know her only for her decadent performances. Sometimes, though, a dark glimpse reveals the character of the actress, that will stand out in the imagination of the public.

Christus
Antamoro's CHRISTUS, epic in scale and ambition, and featuring decidedly otherworldly special effects, was released in 1916. Telling the story of the Life of Christ, the film is divided into three segments-- three Mysteries. The first of these includes the Birth of Jesus, the arrival of the Magi, Herod and the slaughter of the innocents, the flight into Egypt. The second Mystery features the expulsion of the merchants from the Temple, Mary Magdalene's conversion and Christ's entry into Jerusalem. The third Mystery is itself divided into three separate parts, which are The Passion, The Death and The Resurrection.

Quo Vadis?
During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).

St. Sebastian
From a window in Fabiola's house, Sebastian watches the Christians being taken to their cells, and as he listens to the shrieks and curses of the multitude his heart is stirred with pity. Later Sebastian is denounced to the Emperor as a Christian, and he is condemned to die by the swords of the Numidian guards. The news is brought to Fabiola, who sends one of her slaves to the chief of the Numidians. Heis brought to her house, and rich bribes are offered to him not to fulfil the Emperor's command. Sebastian is taken to the place of execution, and the chief commands his followers to shoot with their arrows, but not to kill. Dangerously wounded, Sebastian is carried to Fabiola's house, where she tenderly nurses him back to health. But Sebastian, partially recovered, sets out to meet the Emperor, and reproaches him for his cruelty towards the Christians.

Agrippina
In "Agrippina" (1910), Guazzoni recreates the particular and troublesome relationship between Agrippina, the second wife of the Emperor Claudius, and her son Nero.

Il corsaro
Early Italian pirate adventure.

Malombra
Marina di Malombra (Borelli) lives in a castle prior to her wedding. She begins to read letters written by an ancestor called Cecilia. She finds out that Cecilia was driven to her death by her uncle. Marina identifies with Cecilia and take revenge on her behalf by murdering her uncle.

The Railway Owner
Filippo Derblay, a young man of humble birth, became, thanks to his job, the owner of the ironworks. He is secretly in love with Clara, the daughter of the Marquis of Beaulieu, who lost all his fortune. Clara is engaged to the Duke of Bligny, a vain cousin of her. After learning of Clara’s financial disgrace, the Duke prefers to engage to Atenaide Moulinet, a social climber and daughter of the industrialist Moulinet, the “King of Cacao”. To get revenge, Clara agrees to marry Filippo Derblay, despite she considers him an upstart and she despises him. But Filippo, who loves her deeply, can’t tolerate to be humiliated, will prove how much her prejudice was wrong and, at the end, he will win her love. Among the most captivating aspects of the film, the intense performance of the great diva Pina Menichelli and the high level of the photography, that captures spaces from life as the remarkable images of the factory and the workers at the machinery.

Jenny
A romance story about Jenny and the men that love her.

Madame Guillotine
19th century Sardou period melodrama turned into a vehicle for diva star Lyda Borelli: an aristocratic French lady leaves her unfaithful husband and becomes involved with a member of Robespierre's revolutionary regime.
Filmography
as Il corsaro
as Riccardo Fénigan
as Filippo Derblay
as Tancredi
as Corrado Silla
as Tallien
as Ponzio Pilato
as Claudio Morillot
as Marcantonio
as John Wood
as Vinicius
as Nero