Amy Taubin
Acting
Biography
Amy Taubin (born September 10, 1939) is an American film critic. She is a contributing editor for two prominent film magazines, the British Sight & Sound and the American Film Comment. She has also written regularly for The Village Voice, The Millennium Film Journal, and Artforum, and used to be curator of video and film at the non-profit experimental performance space The Kitchen. Description above from the Wikipedia article Amy Taubin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Born: September 10, 1939
Place of Birth: New York, New York
Known For
Journeys from Berlin/1971
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
Cinéma Laika
In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.
Tracing Amy: The Chasing Amy Doc
A documentary about the production, release and reception of Kevin Smith's 1997 Miramax cult classic "Chasing Amy."
Andy Warhol Screen Tests
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen
Various unrelated vignettes, often juxtaposing sound and image.
Diaries, Notes, and Sketches
Also known as Walden, Jonas Mekas’s first diary film is a six-reel chronicle of his life in 1960s New York, interweaving moments with family, friends, lovers, and artistic idols. Blending everyday encounters with portraits of the avant-garde art scene, it forms an epic, personal meditation on community, creativity, and the passage of time.
Inside the Labyrinth: The Making of 'The Silence of the Lambs'
A behind-the-scenes look at the making of this Oscar winning thriller, prepared for its tenth anniversary. Includes interviews with star Anthony Hopkins, as well as other members of the cast and crew, giving their views on the experience of creating this masterpiece of terror and suspense.
The Velvet Underground
Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.
Fragments of Paradise
For over 70 years, Jonas Mekas, internationally known as the "godfather" of avant-garde cinema, documented his life in what came to be known as his diary films. From his arrival in New York City as a displaced person in 1949 to his death in 2019, he chronicled the trauma and loss of exile while pioneering institutions to support the growth of independent film in the United States. Fragments of Paradise is an intimate look at his life and work constructed from thousands of hours of his own video and film diaries-including never-before-seen tapes and unpublished audio recordings. It is a story about finding beauty amidst profound loss, and a man who tried to make sense of it all... with a camera.
Birth of a Nation
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
Filmography
as Self
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as Herself