Antonio Gades

Le Grand Échiquier

El amor brujo

In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.

Carmen

While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.

Blood Wedding

A dance troupe prepares for and completes a dress rehearsal of Federico García Lorca's tragic play "Blood Wedding," which is about a bride who runs away from her wedding with a former boyfriend.

Champs-Elysées

Los Tarantos

Roma Romeo and Juliet: A boy and a girl from rival families fall in love.

The Last Meeting

A flamenco dancer (Antonio Gades) reflects on his life and career when he is surprised to be honored on a television show telling his life story. The memories stir up controversy, and an old friend seeks retribution as Antonio had once stolen his girl.

Antonio Gades, la ética de la danza

Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.

With the East Wind

The life of Sebastián, a 28-year-old Roma, changes drastically after he kills a man. From that moment, he must flee, experiencing the torments of loneliness, guilt, and the rejection of his people.

Far from the Trees

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.