Baran Kosari
Acting
Biography
Iranian actress Baran Kosari (باران کوثری) graduated in Stage Acting from Sooreh Art University. She made her acting debut in 1991 in Best Dad in the World.
Born: October 17, 1985
Place of Birth: Tehran, Iran
Known For
Chameleon
Aftab Parast is a comic series whose main role is played by a person named Jamal Porsche (played by Pejman Jamshidi)! This comedy series is actually the story of two friends named Jamal and Manooch, who have love for Lati and become level one in the game, but because of their recklessness and bad luck, they get caught by the police and go to jail. In prison, Jamal tells everyone that he only drove a Porsche in the first level and that's why he is known as Jamal Porsche and...
Heiran
During the rule of Taliban in Afghanistan, about 3 million illegal Afghani immigrants entered Iran and caused numerous problems for the Iranian society to accept them. This film depicts the story of a 17 year old rural girl by the name of Mahi (Fish), who comes from a war-stricken family in southern Iran. Mahi falls in love with Heiran, an Afghan student who has come to their village to work. However, Mahi's family being strictly against her marriage to Heiran, force Mahi to choose one between her family and an Afghan boy.
7 Months Pregnant
Revenge may have irreversible consequences.
Nothing
A man, who has some kind of a disease and eats a lot, enters a poor and large family to marry their mother.
The Last Fiction
Kingdom of Jamkard, ancient Persia. After defeating the armies of Ahriman, embodiment of evil, King Jamshid, bearer of the light of Divine Power, abandons his people blinded by pride, determined to conquer new lands. Thus, by chance, Zahhaak becomes regent and undertakes the reconstruction of the devastated capital. But then Ahriman, who dwells in the heart of every human being, begins to poison his tormented soul.
A Cube of Sugar
Throughout the two days preceding her long-awaited wedding, amid the flurry of arriving relatives and the preparation of a seemingly endless array of colorful, culinary delights, young bride-to-be Pasandide finds herself the center of attention. The event also proves an occasion for extended family to reconnect, reminisce and rejoice in the pleasures of familiar company. The family compound of aged Uncle Ezzatolah proves an ideal site for this summer reunion among three generations, with its lush courtyard gardens, labyrinthine parlors and passageways and erratic electrical system (subject to untimely city blackouts).
Under the Skin of the City
Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.
Dancing in the Dust
When forced to divorce his wife by family and social pressure because her mother is a prostitute, Nazar works double shifts to pay back the loan he took out for his impulsive wedding and to pay some ongoing restitution to his sweet jilted bride, Reyhaneh. When he falls behind in the payments he flees the police and ends up in the desert with an uncommunicative old man who catches poisonous snakes for their venom. These two are forced to coexist in the desert, because Nazar is unwilling to return to the city and wants to catch snakes to make enough money to settle his debts. His verbose, chattering annoys the reticent old man until Nazar's life is endangered.
Numbness
Jalal, a dropouts philosophy student, realizes that her sister Mary, who has a Bipolar disease, is married to a bourgeois man named Shahrokh who is addicted to football betting. He left the house angrily, and goes to his friend's house, Bahman, who is an underground composer. He meets a strange taxi driver named Nasser on his way. They spent a strange night together.
Mainline
The uneasy relationship between a mother and daughter is made all the more turbulent by drug abuse in this downbeat drama from Iranian filmmakers Rakhshan Bani-Etemad and Mohsen Abdolvahab
Filmography
as voice
as Forugh Farrokhzad
as Bemani
as Eli
as Mahtab
as Unknown Girl
as Noori
as Afra
as Asra
as Mandana (voice)
as Maliheh
as Baroon
as Sara
as Nilofar pakzad
as Zhaleh
as Grooms Relative
as Herself
as Sara
as Nastaran
as Mahi
as Titi
as Samireh
as Mahsa
as Maygol
as Roya
as Rayhaneh
as herself