Boots Riley
Directing
Biography
Raymond Lawrence "Boots" Riley (born April 1, 1971) is an American film director, producer, screenwriter, rapper, and communist activist. He is the lead vocalist of The Coup and Street Sweeper Social Club. He made his feature-film directorial debut with Sorry to Bother You (released July 2018), which he also wrote. In 2023, the television show I'm a Virgo premiered, which Riley wrote and directed.
Born: January 1, 1971
Place of Birth: Chicago, Illinois, USA
Known For
Freestyle: The Art of Rhyme
From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.
99%: The Occupy Wall Street Collaborative Film
This award winning documentary, narrated by Lou Reed, explores the breadth and depth of Occupy Wall Street and how it quickly grew from a small park in lower Manhattan to an international movement. The film highlights why people from diverse age, ethnic and financial backgrounds support the movement and its focus of removing money from politics in order to reclaim democracy from entrenched corporate interests so that critical issues including job creation, affordable access to health and education, protecting the environment and gun safety can be fully addressed. Featuring interviews with a wide range of subjects including Occupiers, economist Jeffrey Sachs and business magnate Russell Simmons.
Fremont
Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.
Close Up with The Hollywood Reporter
Some of this year's most talked about talent open up about the challenges and triumphs of creating critically acclaimed series and performances.
Rope a Dope 2
The Dope wakes up after his victory, but now the leader of The Martial Art Mafia is out for revenge... and he's got a new trick up his sleeve!
I'm Charlie Walker
1971 post civil rights San Francisco seemed like the perfect place for a black Korean War veteran and his family to realize their dream of economic independence, and a chance for him to be his own boss. Charlie Walker would soon find out how naive he was. In a city full of impostors and naysayers, he refused to take "No" for an answer. That is, until a catastrophic disaster opened a door that had never been open to a black man before. This is a story about what happened when he stepped through that door with both feet.
In Prison My Whole Life
William Francome is a fairly typical, white middle-class guy. Typical except for the fact that he is about to embark on a journey into the dark heart of the American judicial system; the tangled world of renowned Death Row prisoner Mumia Abu-Jamal.
The Coup: The Best Coup DVD Ever
The Coup is one of the most notoriously political groups in the history of rap music. This DVD features music videos and interviews with Boots Riley and DJ Pam the Funkstress.
The Last Critic
Sixty years & a million records ago, Robert Christgau invented Rock music criticism. Anyone who has ever read or written a Pop music review has been influenced by Christgau, who canonized legends from The Ramones to Public Enemy & infuriated icons from Lou Reed to Billy Joel. Now in his eighties, Bob is still at it—amazingly with the same vigor, wit, concision and craft that has defined his expansive career. But in a world where albums are irrelevant, where print is dead & where algorithms have eclipsed critics we are forced to ask: What happens next—for Bob, but also for all music criticism? Is this the end of something? Is Robert Christgau the last critic?
Filmography
as Restaurant Patron (uncredited)
as Bartender Ray
as Mayor
as Self
as Himself