Boris Schoemann

I Have to Die Every Night

Snapshot of the sophisticated and exclusive gay nightlife of one of the most emblematic clubs in 1980s’ Mexico City, where people living under the weight of a repressive society that marginalized them felt the need to express an exacerbated sense of freedom. Through the eyes of a young man eager to explore the world and live freely in the capital city, the series recreates a slice of life and a decade that shook the world.

Belzebuth

While leading a police investigation of a massacre in a public school at the border of Mexico and U.S.A, special Agent Emanuel Ritter links this strange case to the coming and rising of the ancient demon Belzebuth. But in order to stop the trail of upcoming infanticides, Ritter shall have to confront himself before dealing with the forces of good and evil.

Anyone But Her

A tight-knit group of friends can't live without each other, that is until one of them announces their marriage. In the midst of dealing with this change, they stumble upon the perfect chance to throw a wrench into the wedding preparations.

Dead Man's Switch

Dalia discovers that her husband has vanished without a trace. As her life and her job as a subway driver begin to collapse, the violent indifference of her environment engulfs her in a dark tunnel that seems to lead nowhere.

Ángeles

Angeles (11) peddles candy on the street. David (50)works in a parking lot. David admits he’s going to suicide throwing himself from a building under construction. Angeles doesn’t try to talk him out of it; quite contrary, she decides to help his friend.

It Would Be Night in Caracas

While struggling to withstand the chaos of modern Venezuela, Adelaida sees a chance to survive—and takes it: leaving everything behind, even her own name. In a land with no future, her only way out is to become someone else.

Larga vida al teatro