Cesarina Gheraldi

We the Living, Part One

At 18, the beautiful and intelligent Kira comes to Petersburg as the Communists consolidate power. She rebuffs a cousin who rises in the Party and may remember the slight. She falls in love with Leo, the son of an aristocrat, who gets into political trouble and never gets out.

Il bell'Antonio

Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.

Behind Closed Shutters

Sandra searches her missing sister. For this, she enters the morally degraded seaside of Genoa.

Pleased To See You Again

Based on the novel 'Ritratto Di Provincia In Rosso' by Paolo Levi .Mario Aldara, a Ministry of the Intenal Affairs officer and former police inspector, is sent to his native town, Bologna to investigate the alleged suicide of Cesare Bonfigli, of a powerful local family linked to politics but also the church dealing in real estate business and welfare. Aldara may be pleased to see there Viviana again. Viviana is the widow of the dead man and used to be Aldara's girlfriend twenty years before

The Virgo, the Taurus and the Capricorn

Distressed that her wayward husband, Gianni (Alberto Lionello), forsakes her favors and seduces a series of other women, drop-dead gorgeous Gioia (Edwige Fenech) turns to handsome lothario Patrizio (Ray Lovelock) to help her get revenge. Will her enthusiastic affair help Gianni see the error of his ways? Luciano Martino directs this saucy comedy that also stars Aldo Maccione, Alvaro Vitali and Olga Bisera.

L'ultimo amante

Maria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the girl refuses any help.

Bianco, rosso, giallo, rosa

A whimsical commedia all'italiana divided into four episodes.

I piaceri del sabato notte

Behind the facade of a fashionable Milanese home, headed by Arabella, lies an efficient ring of high prostitution.

The Trojan Women

In 1967 the director Vittorio Cottafavi produces the TV movie Le Troiane from Euripides. He uses the classical Italian translation by Enzio Cetrangolo, but creates an original way of film adaptation, inspired by the Brechtian conception of staging the ancient theater. He does not use costume or set design, but is based only on the simple performance of the actors, highlighted by the shooting technique. The absolute sense of tragedy is perceived by the public through emotional engagement and imagination. So, the Trojan war is all the wars and the pain of the Trojan women is the pain of all the victims of any war.

Lacrime di sangue