Chan Tze-Woon
Directing
Biography
No biography available for Chan Tze-Woon.
Place of Birth: Hong Kong
Known For
Darktime Fiction
Through letters with a friend in prison, a filmmaker sets out to realize a boys’ love script unfolding behind bars. But as he moves from Berlin to Tokyo to Kaohsiung, the project begins to blur—between fiction and fear, between freedom and its illusion.
Being Rain: Representation and Will
A group of documentary filmmakers began to shoot the civil social movement in Hong Kong, which became part of the city's common landscape. Spanning over two years, the filmmakers attempt to reveal the visible and invisible control behind. They trace a mysterious organization which is suspected to secretly control the weather which dampens the mood and suppresses the intention of the public to participate in social movements. On the surface, the question on inclement weather could be answered by climate changes around the world. The underlying sordid discussion, however, is really about intervention, pervasive suppression and control instead of any conspiracy theory.
Call Girl And The Pimps
Call girl Ruby dates men for pay. Arrested, she seeks help from a lawyer client. He advises her to seek letters of mitigation from people with high social status, and to play along with the probation officer. By performing an act of penitence, Ruby may be given a more lenient sentence. The lies she tells the officer, initially mere tales to solicit sympathy, slowly reveal a heartbreaking story of someone let down by adults all her life.
How High the Moon
Hoping to give her daughter a better life, a single mother decided to work part-time in a convenience store. Yet, the lack of night-time child care service puts her in a dilemma.
In Your Shoes
Performance artist Florence and documentary filmmaker Tze-woon are lovers. They propose to exchange each other’s distressing memories before they met and attempt to re-enact each other’s experience with their own art form. Could they really walk closer towards each other through the process?
Filmography
as Self
as Customer
as Client Patrick