Claudia Potenza

The Abjurants

2087. Vera and Roberta are two "Abjurants", meaning women who refused to adhere to the Eugenics Programme imposed by the Government and who have been consequently confined to an unknown location and used as test subjects. Their only purpose in life is recalling to mind their lovers' facets.

SeMe

Oscar is a man torn between his political ambitions and his desire for fatherhood. Two objectives, apparently distant and irreconcilable, for which he seems really willing to do anything.

Il clan dei camorristi

Resto Umile World Show

L'amore che vorrei

Five women are victims of various forms of violence. In each of them the story of reality overlaps with that of imagination, thus creating a parallel world in which the desire to experience a healthy love becomes possible.

Life as Carlo

Carlo Verdone plays himself by portraying the drama and the comedy of his private life and his relationship with a loving and oppressive mother: Rome.

Era d'estate

Judges Giovanni Falcone and Paolo Borsellino would eventually fall at the hands of Italy’s Cosa Nostra in 1992. However, before that, in 1985, they were preparing for the ‘Mafia Maxi Trial’ when a tip-off of a planned attack against their families sees them taken to an island in Sardinia to wait out the threat. This situation, somewhere between a forced vacation and witness protection, sees the men delve further into their work, the retreat allowing them to hone their case. Fate, however, is not to be escaped, and all too soon danger returns.

The Purple Sea

Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.

Mountain

Many years ago, in a nearly deserted town at the foot of a mountain, lives Agostino with his wife Nina and his son Giovanni. The mountain rises up like a wall blocking out the sun that never reaches their fields below, now reduced to just stones and underbrush. Agostino, even though everything suggests him to leave, decides that the destiny of his family is there, among the peaks. He is not only driven by stubbornness, but by the certainty that our roots cannot betray us and that with the help of our spirit we can bring the sun on every destiny.

Si muore tutti democristiani

Enrico, Fabrizio, and Stefano are three lifelong friends and colleagues who share left-wing political ideals. They run a small production company, juggling commercials and wedding shoots, but hope to return to making social-themed documentaries. One day, they receive a financially attractive offer that seems to meet their expectations. Unfortunately, the deal has unethical implications.