D. A. Pennebaker
Directing
Biography
Donn Alan Pennebaker (July 15, 1925 – August 1, 2019) was an American documentary filmmaker.
Born: July 15, 1925
Place of Birth: Evanston, Illinois, USA
Known For
No Direction Home: Bob Dylan
A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.
Janis: Little Girl Blue
Janis Joplin is one of the most respected and iconic rock & roll singers of all time, a tragic and misunderstood figure who captivated millions of listeners and blazed new creative trails before her death in 1970 at age 27. Director Amy Berg explored Joplin's story in depth. A portrait of a complicated, driven and often beleaguered artist. Joplin's own words recount a series of letters she wrote to her family over the years. Janis was a vessel of energy when she sang. Her rapid rise and untimely death changed music forever.
The Ballad of Ramblin' Jack
With the help of her mother, family, friends, and fellow musicians, Aiyana Elliott reaches for her father, legendary cowboy troubadour, Ramblin' Jack Elliott. She explores who he is and how he got there, working back and forth between archival and contemporary footage. Born in 1932 in Brooklyn, busking through the South and West in the early 50s, a year with Woody Guthrie, six years flatpicking in Europe, a triumphant return to Greenwich Village in the early 60s, mentoring Bob Dylan, then life on the road, from gig to gig, singing and telling stories. A Grammy and the National Medal of Arts await Jack near the end of a long trail. What will Aiyana find for herself?
Up Your Legs Forever
The film consists of continuous panning shots up a series of 367 human legs.
Tiny Tim: King for a Day
The story of Tiny Tim’s improbable rise to stardom is the ultimate fairytale - and so is that of his downfall. For a brief time, the shy and truly unusual outsider artist was the biggest star in the world.
A Venue For The End Of The World
Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.
1 P.M.
Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.
Before the Nickelodeon: The Cinema of Edwin S. Porter
A documentary overview of the career of silent cinema pioneer Edwin S. Porter.
Wild 90
Norman Mailer’s first feature filmmaking effort stars the director and his two longtime collaborators Buzz Farbar and Mickey Knox as a trio of gangsters holed up in a ramshackle New York apartment, drinking, braying, and fighting.
Mario Ruspoli, Prince of the Whales
Colleagues, friends and specialists pay tribute to the filmmaker Mario Ruspoli in a portrait that mixes encounters, archive images and film excerpts. With testimonies from Richard Leacock, Albert Maysles, Edgar Morin, D.A. Pennebaker and others.
Filmography
as Himself
as Himself
as Himself
as Self
as Self
as Self (archive footage)
as Self
as Reader - Film as a Visual Newspaper (voice)
as Self
as Al