David Carpenter

Ghosts of Mississippi

A Mississippi district attorney and the widow of Medgar Evers struggle to bring a white supremacist to justice for the 1963 murder of the civil rights leader.

Barefoot in the Kitchen

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

El último viaje

Commissioner Mendoza must join forces with the honorable civil guard, to stop the activities of a network of drug traffickers with international contacts that intend to act in Spain.

The Killer Is Not Alone

Julio, an only child belonging to a wealthy family, murders a prostitute who tries to seduce him. He, in childhood, suffered severe trauma and this causes serious problems with women. Because of this, runs away and stays in a boarding house in Madrid, where he meets Monica, the daughter of the owner, who maintains relationships that seek to build on for help in their desperate situation. As his obsession for killing is increasing.

Murder in a Blue World

Set in the future, the story follows a nurse who tries to bring her own style of relief to people condemned to die. Her identity is a mystery and she may not be quite what she seems.

Tarzan in King Solomon's Mines

An explorer, Stanley, leads a woman to meet her brother, who is in a jungle place waiting to leave in search of King Solomon's mines. Tarzan joins as a guide for the group.

Fight to the Death

The parallel stories of a police commissioner and a bank robber whose lives eventually come together.

Sábado, chica, motel ¡qué lío aquel!

Las alegres chicas de 'El Molino'

Barcelona in the seventies. Piper, comedian at the theater El Molino has specialized in effeminate roles, but in reality is a conqueror. His wife, Nita, sets a trap for him.

A mí qué me importa que explote Miami