Denny Perrier

O Astro

Os Gigantes

The Trapalhões

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

The Three Goofy Musketeers

The Three Musketeers (Dede Santana, Mussum, Zachariah) work at home Sra. Ana Rocha (Rosita Tomáz) and has the difficult task of going in Foz do Iguaçu retrieve an emerald necklace, with which the plant is Mr. Louis at stake, and Chicken Joe (Renato Aragão) who lives in a poor chicken coop offers to help. Arriving in Foz do Iguaçu, find the bad guy, but he sells the paste to a villain in Manaus, in the Amazon already, Chicken Joe takes some stones, are the villain but he sold to another bandit in Rio de Janeiro, where they find the villain and finally retrieve the necklace, and the stones that Chicken Joe took were actually diamonds.

Escalada da Violência

An architect has his family brutally murdered and leaves for relentless vengeance.

Fim de Festa

Marcelo and Márcia, a successful couple, have different social backgrounds. She's always been rich and attached to tradition, while her husband hasn't. One day he leaves for another city, Angra dos Reis, where he meets two girls, Lena and Tânia. Marcelo and Lena get involved, while Tânia is jealous. One night the three go to a party, where a tragic accident happens.

Black Goddess

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Memórias de Amor