Eckart Friedrichson

Wer seine Frau lieb hat

The Berlin Volkseigene Betrieb (VEB) Komet is planning a company outing. Willi Redlich, member of the party committee, votes like the others: The relatives stay at home. But he doesn't dare tell his wife Susanne. So she does the work of renting the "Waldschlösschen" restaurant for him - without his knowledge. When Willi wants to book the seats, everything is fully booked and he switches to the "Sonnenburg" opposite. Meanwhile, word has gotten around among the women that they are excluded. They plan a counter-event. On the day of the excursion, both groups are sitting in their inns and the women make sure that they can still celebrate together.

The Captain from Cologne

Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.

A Berlin Romance

Mid-1950s Berlin, before the building of the Wall. Uschi, a salesgirl and aspiring fashion model from the East, is attracted to Hans, from the West. But she also loves the bright shop windows in his part of the city. The flashiness of this new world soon evaporates, however, when Hans loses his job.

Das Mädchen auf der Titelseite

Nimmersatt im Märchenland

Reportage 57

The film centers on the story of newlyweds Inga and Heinz. Heinz works in the western sector of Berlin. A gang of crooks involved in various shady dealings tries to draw Heinz into their dark affairs. However, after accidentally learning about the "activities" of his "friends," Heinz informs the police about the impending crime. The gang is arrested.

Guten Tag, lieber Tag

Engineer Strebel′s apprentices think of nothing else but music and dancing, although they should really concentrate on their marks. Consequently, Strebel is anything but delighted with his pupil. To top it all, a TV show becomes interested in a performance by Strebel′s apprentices. To calm down their teacher, Jutta Fröhlich, who has already cast an eye on Strebel, makes him an offer: When they better their marks, Strebel would permit them to make a performance on television.

Drei Mädchen im Endspiel

The soccer team of the company sports association "BSG Hartenfels" is going downhill. New training methods - based on scientific findings - are needed, says Paul Schmidt. But he runs up against the star striker Wieland, whose friends naturally stick by him. So water sportswoman Ruth, deputy chairwoman of the BSG, decides to use female cunning to change the situation for the better. She and her friends Lilo and Uschi want to "work" the unruly ones. In the end, there is indeed a victory - on the sports field - and two happy couples.

Egon and the Eighth Wonder of the World

Egon Brümmer and his half-strong "boys" are an integral part of the Borkenheide Musical Club. When the manager of the clubhouse forbids them to rehearse in his rooms, Egon and his friend Paul react by hitting on the visitors to a nearby Christmas party. Both are sentenced to six months in prison without parole for assault. When Egon gets out of prison, he wants to leave his old life behind him. He tries to avoid the boys, but they don't understand his change of heart. He starts working as an unskilled laborer on a building site, just as he did before he went to prison. At a graduation ball, Egon meets Christine Lange, who wants to study medicine. Her friends call her the "eighth wonder of the world" because it would be a miracle if she were to fall in love. Egon pretends to be a construction specialist and the two dance together.

Carola Lamberti

Carola has been running the family-owned circus alone since her husband’s death, but she suddenly finds herself at odds with her three adult sons who are also performance artists and want to have a say in how the business is run. The family discord leads Carola to turn her back on the circus, leaving the three inexperienced sons in charge. This turn of events forces the family to learn to work together or face bankruptcy.