
Eduardo Gómez
Acting
Biography
No biography available for Eduardo Gómez.
Born: July 27, 1951
Place of Birth: Alicante, Spain
Known For

No One Could Live Here
A caustic satire of many of the 'types' found in Spanish society.

La que se avecina
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Salad Days
A mixed salad and a trout meet on death row: The cold storage of a restaurant. They decide to unite in a single dish that will lead them to eternal love.

Butterfly
The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

Common Wealth
After finding an enormous amount of money hidden in a dead man's apartment, real estate agent Julia must face the wrath of the very peculiar inhabitants of the apartment building, who will stop at nothing to get their hands on the money.

The Miracle of P. Tinto
Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?

The Ferpect Crime
A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.

Relic Hunter
Sydney Fox is a professor and globe-trotting "relic hunter" who looks for ancient artifacts to return to museums and/or the descendants of the original owner. She is aided by her linguistic assistant Nigel and occasionally by her somewhat air-headed secretary Claudia. She often ends up battling rival hunters seeking out artifacts for the money.

Dying of Laughter
Nino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows fast, as much as their fame.

El elefante del rey
North Sudan, summer 1923. King Alfonso XIII of Spain captures an enormous African elephant, an apparently irrelevant act that, however, will be paramount to understand the Spain of 20th century; an animal from far lands that will become a symbol of the Second Spanish Republic, the communist movement and many other things; a royal hunting that marks the beginning of a bizarre story of jealousy, passion, political intrigues and taxidermy.
Filmography
as Botones
as Rodríguez
as Mac
as Juan "Juanito" Sánchez
as Elorza
as Caragorda
as Diego
as Maxi Angulo
as Señor bajito
as Hombre del hotel
as Jugador de mus
as Benito
as Bedel
as Pepito
as Taxista
as Agente Pitu
as Manager
as Mariano Delgado
as Operario cámara
as Cornejo
as 'Ahorcado'
as Camarero
as García
as Mercenary
as Hombre pajarito sabio
as El Pobre Tino
as Cartero
as (uncredited)
as (uncredited)