Ekaterina Direktorenko

Receptionist

In a big city a grown-up girl lives in her tiny apartment. Every morning she sits beside her window, waiting around for her Prince Charming. Then, she goes to work, where she connects loving hearts together. Suddenly, one day, things start happening in an unusual way...

Metro

Terror strikes the underground train system in Moscow in the form of a flood from a collapsed tunnel. The film follows a diverse group of Moscow citizens who find themselves trapped in the city’s underground rail network, their train derailed and virtually crushed after an aging tunnel collapses. Amongst this band of survivors is softly spoken surgeon Andrey (Sergei Puskepalis), whose wife is having an affair with the conceited businessman Vlad (Anatoly Beliy). Fate brings these two men together on the same doomed train, but there is little time to resolve their differences, as the tunnel begins to quickly fill with water, forcing them to work together with the others and find a way back to the surface.

Shadowboxing

Artem Kolchin was one of many, but he wanted glory. And he has chosen the way: he became the boxer. Now Artem the applicant for a champion title, fighter, known worldwide as Great White Hope. But the main fight in his life has not gone how he expected...

Престиж

Loafers‎

The film is based on the early songs of Viktor Tsoi. This is a story about a young slacker, easy and fun going through life. He strumming a guitar and composing songs. Drinks with idle friends. The usual, almost domestic, history of betrayal changes everything radically. So the poet is born.

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Women in a Game Without Rules

The story is about why people's destinies are intertwined, how they influence each other and how this changes the world around us.

Evgeniy Grishkovets: While the Beer is Being Poured

Russian Grief... From the Mind

“Russian Woe” is a musical adaptation of the classic Russian comedy “Woe from Wit” by Alexander Griboyedov. This tribute to a text well known to all Russians is full of humor and irony. All roles are played by young actors, shedding light on the political context of the time. The adaptation focuses on the social protests and romanticism of Griboyedov's time, satirizing post-Napoleonic Moscow society.