
Emilia Popescu
Acting
Biography
No biography available for Emilia Popescu.
Born: March 2, 1966
Place of Birth: Bucureşti, Romania
Known For

The Moromete Family
Story of a family. Problems, marriage, taxes, revenge, friendship, army, life and much more.

Every Day I Miss You
A young girl is cast for a musical comedy, but she refuses after her father doesn't let her play in it. After that, more offers emerge, along with a hit song dedicated to her from a infatuated admirer.

Sanda
Sanda spends all her time working in a plastic factory, raising her two small children and catering to an indifferent husband, leaving little room for herself. A chance encounter with another man may offer her an escape from her daily chores.

Lasă-mă, îmi place ! Camera 609
The protagonists mistakenly fall in love, leading to a domino-type situation filled with awkwardness and comic situations. A large inheritance, acquired through a special will condition, sparks a tragico-comic competition among contenders.

Vama Veche Retreat
Eva, a psychologist specializing in couples therapy, is about to get married and her best friends are organizing her bachelorette party at a discreet tantra-yoga retreat in Vama Veche.

An Unforgettable Summer
In 1925 Romania, young Marie-Therese Von Debretsy refuses the flirtatious advances of her husband's commanding officer. As a result, the cosmopolitan family is reassigned to a brutally bleak and dangerous outpost on the Bulgarian/Romanian frontier where both their relationship and humanity are severely tested.

Mikado
One day, teenager Magda offers her expensive necklace to a sick child in the hospital she volunteers for- her father is certain she is lying again. When she proves her innocence, he is ashamed and guilty but also incapable of admitting he was wrong. Relationships are now broken and in chaos, and past decisions have an irreversible outcome.

Ai noștri

Publicitate (D’ale publicității)
A satire of artificiality in advertising, especially surprising due to the moment when it was made, in the mid 1980s. The ironic clichés anticipate the sexualized imagination of the 1990s: young women biting lasciviously from a piece of chocolate that melts on their face, lovers sipping allusively on a champagne, the cork of which pops under pressure. Advertising is, at the same time, a tribute to the efforts of the shooting crew, forced to work in difficult conditions - that are hyperbolized in the film - and to find all sorts of ingenious solutions so that the implausible situations they present look as polished and as desirable as possible.

3 Days in September
When her fiancé’s mistress crashes her wedding, Bianca flees the scene, launching a real-time odyssey of chaos and eventual liberation through an off-season seaside resort.
Filmography
as Violeta
as Emilia Avram
as Elena Ciorba
as Steluța Ionescu
as Ilinca