Emilinha Borba

The Bunglers

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Assim Era a Atlântida

Com Jeito Vai

Two new recruits at a fire station headquarter engage in a competition between two sergeants in personal rivalry

Aviso aos Navegantes

In Buenos Aires, Frederico hides in a ship going to Rio de Janeiro to travel for free. But Azulão, the cook, finds him and blackmails him into working in the kitchen. Meanwhile, Alberto, the captain, receives a radio message saying that there was a dangerous international spy on board. Things get worse when some passports are mixed-up.

Virou Bagunça

The Gerimum Trio arrives in Rio de Janeiro wanting to make it big in their artistic careers. They struggle with great difficulties and even sing in the street. The police pursue the three, who end up in the place they most want to be: a television studio. Mistaken for northeastern congressmen, they are taken to the TV director-general, Mr. Walter. Shortly after, Marly, the advertising star, and her secretary, Josias, enter. A heated argument ensues, but the situation is resolved when the real congressmen show up.

Shut Up, Etelvina

Alligator raiser from the state of Mato Grosso, Brazil, travels to his nephew's, and takes the maid Etelvina for his nephew's wife.

Naked Eye

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

Mulheres à Vista

É de Chuá!

The film narrates the adventures of the trickster Juca Moleza in the carnival while he has to deal with the consequences of the scams he applied to people of high society.

007½ no Carnaval

British secret agent 007½ is sent to Rio de Janeiro to recover the plans stolen from a new metal alloy. His contact is a taxi driver, who ends up being murdered by enemy agents.