Enrico Ghezzi

Pornomi

Enrico Ghezzi cuts out porn magazines looking for a fake cataloging criteria, while Sergio Grmek Germani, off screen, reads and comments on a pornographic filmography edited by Marco Giusti (published by Italian magazine Filmcritica), correcting errors and underlining his insufficient pornophilia.

The Last Days of Humanity

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

Winter Song

Two old friends have urban adventures connected to the skull of an executed French aristocrat.

Astrolite

There's something wrong with the way things are perceived. A different, unfriendly view is to stand out among individuals as their own maker is spelling the rules from a tv set for them to keep on living or to die. No longer than a blow-up such an illusion will survive...

L'uomo che amava il cinema

Piero Tortolina has been a point of reference for a whole generation of film lovers. Pioneer of cinema-clubs and great film collector, he has been an invisible protagonist in the history of italian cinema.

Quiproquo

Strade perdute - Filmmaker 23

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

Ottimismo democratico

Gli estremi non si toccano

Documentary focused behind the scenes of the making of the play 'io' by Antonio Rezza and Flavia Mastrella

Marco Melani - The Man With The Golden Eye

"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.