Enriqueta Carballeira
Acting
Biography
No biography available for Enriqueta Carballeira.
Born: April 28, 1944
Place of Birth: Madrid, Madrid, Spain
Known For
Total
"Total" opens the trilogy that close "Amanece que no es poco" and "Así en el Cielo como en la Tierra" Year 2598. Three days ago, the world has come to the end in London, a lost and a small Castilian village atmosphere. Lorenzo, a shepherd, tells a series of extraordinary events that have been announcing the end of the world: the cows want to go to school, walls crumble, or Doña Paquita appears in the most unexpected places ..
The House of Bernarda Alba
After the death of her husband Bernarda Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house.
The Weakness of the Bolshevik
After getting into a minor traffic accident, Pablo attempts to make light of the situation by asking the driver of the other car, Sonsoles, out on a date. When she refuses and instead files an injury report, Pablo snaps and begins stalking her. He soon discovers that Sonsoles has a beautiful teenage sister, Maria, with whom Pablo is immediately infatuated -- a lust that soon turns dark. Can Pablo control his obsession, or will it consume him?
Half of Heaven
After the civil war, Rosa, a beautiful and hard worker woman falls in love with a sharpener who turns out to be a con man. When she becomes a widow, she emigrates to Madrid with her daughter beginning to work as a nurse in the home of Don Pedro, an influential food manager.
Los chicos con las chicas
After the rock band Los Bravos take a holiday at a mountainside camp situated next to a girls' school, their singer, Mike, ends up falling in love with one of the students there.
Seven Days in January
After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.
The Good Love
A couple of young university students decide to spend the day in Toledo, in order to forget a little of the routine in which they are. At nine o'clock in the morning, José Luis waits at the Atocha station for his girlfriend, Mari Carmen. The couple has deceived their families, who have told that they will eat in the Faculty. The journey is eternal and the stay in the city, rather than surprise them, as they expected, immerses them, even more, in the monotony in which they live. Without friends, without relatives and without university partners, the couple will spend twelve hours in Toledo, half a day of tenderness in the rain and the December sun that will help them to know themselves better.
How to Be a Woman and Not Die in the Attempt
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?
Tiempo de amor
Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.
A Remarkable Tale
The residents of an isolated town look to revive their home's identity when a group of foreigners unexpectedly arrive, bringing culture shock with them.
Filmography
as (self)
as Abuela
as Manolita
as Dolores
as Madre de Chica
as Encarni
as Angustias
as Rosa's sister
as Amelia
as Macarena
as Mujer sangrando (segment "El amor es algo maravilloso")
as Elena
as Dolores González Ruiz (uncredited)
as Mariuca
as Silvia
as Rosa
as Carolina
as Lolita
as Julia Caporeto
as Elisa
as Encarnita
as Isabel
as María
as Juanita (as Mª Enriqueta Carballeira)
as Fermina