Erol Batıbeki
Lighting
Biography
No biography available for Erol Batıbeki.
Known For
We Hit The Road
Laborers of the film industry have decided to march against the new censorship act in 1977. 60 years of silence in cinema was going to be interrupted for good. From actor/actresses to set workers, 400 women and men have started a 5-day-long walk to Ankara. A walk that was conceived with supportive but surprised looks of the public. The documentary tries to picture this forgotten but historical event in the light of the 100th year of cinema.
The Girl with the Red Scarf
Asya, a peasant girl, marries İlyas, a truck driver. The couple, who love each other very much, are separated when İlyas cheats on her, and their epic love story comes to an unexpected end. After that, Asya takes her son and wanders away, not knowing where she is going, until a familiar hand reaches out to help her selflessly.
Yanaşma
Memo is a young man who serves the village chief in his house. The chief took him into his service as a servant at a young age. The chief's daughter, Cano, falls in love with Memo. Memo also has feelings for Cano. However, because he is afraid of the chief, he initially runs away from this love. He is hopeless about the future. He is aware that he is only a servant.
Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.
İşte Hayat
The film tells the love story of a girl who wants to be famous and the television presenter she kidnaps. Ayşe is a poor girl who wants to be an actress. She and her mother Makbule make a plan to kidnap television presenter Uğur Dündar. Their goal is for Uğur to cast Ayşe in a film. To this end, they take inappropriate photos of Ayşe and use them to threaten Uğur. When the photographer who develops the films Makbule took recognizes Uğur, the police find him. Uğur also tries to make Ayşe an actress. However, as time goes on, Ayşe begins to realize she has no talent for it.
Remedy
A midwife is caught in a snowstorm on the way to Anatolia and forced to spend four months in an isolated village., where she’s soon tending sick children and delivering babies.
Erkek ve Dişi
Police officer Burhan arrests Recep, a member of a drug trafficking gang. Recep is released after a false witness contradicts Burhan’s evidence, leading to Burhan’s reassignment to a small village. There, he becomes romantically involved with Sevtap, a belly dancer he knew from the capital.